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I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness

机译:我有天生的技能……:嘻哈,真实性和美白

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摘要

While hip hop remains forever tied to its African American roots, it is now undeniably evident in all aspects of popular culture. Eminem, a White MC, has achieved a level of success unmatched in the world of hip-hop. Conscious of his race, Eminem stresses that he is not to be placed in the White rapper category but should be respected for his skills. Despite this yearning, his emergence in a musical genre linked to Black culture furnishes a point of entry to outline strategies White MC's use to negotiate and rearticulate Whiteness as they strive for authenticity. Popular culture and media are implicated in the social construction of race by providing texts reinforcing and maintaining essentialized notions of Blackness and Whiteness, and hip hop is central to this process. The power and privilege of Whiteness resides in its non-naming and in response, hip-hop clearly marks Whiteness and provides a space to critically interrogate and question its normalcy. With relatively few discussions pertaining to White participation in rap music, this article links the struggle for authenticity in the hip-hop world to the social constructions of race and, specifically, these problematic essentialized notions that deny the complexities and fluidity of race.
机译:尽管嘻哈永远与它的非裔美国人根源息息相关,但如今在流行文化的各个方面都无可否认地表现出了嘻哈。 White MC的Eminem在嘻哈界取得了无与伦比的成功。 Eminem意识到自己的种族,因此强调不应将他归入White Rapper类别,而应以他的技能受到尊重。尽管有这一渴望,但他以与黑人文化相关的音乐流派的出现为概述白人MC争取真实性时用来协商和重新定义白人的策略提供了切入点。大众文化和媒体通过提供加强和维护“黑色与白色”概念的文字来参与种族的社会建设,而嘻哈在这一过程中至关重要。 Whiteness的功能和特权在于其非命名,而作为回应,嘻哈显然标志着Whiteness,并提供了一个批判性审问和质疑其正常性的空间。由于与白人参与说唱音乐有关的讨论相对较少,因此本文将嘻哈界对真实性的斗争与种族的社会结构联系在一起,尤其是,这些有问题的本质化概念否认了种族的复杂性和流动性。

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