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Reflections On, and Of, the “Slide Show” in my Life

机译:我生命中“幻灯片放映”的思考与反思

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This short essay provides an Afterword to the Special Issue, with an autobiographical commentary on the collections of colour slides made by my father and myself, especially in Africa from the 1950s to mid 1970s. Relevant connections are made with the work of the main contributors here and their common theoretical inspiration in the work of Alfred Gell. I point to the specific social relations required by the need for the amateur photographer to present their colour slides as a performance, which may be initially for family and friends but lends itself also to educational contexts. I have used my slides in lectures, as did my father, but also (along with audio recordings) as a part of my ethnographic documentation and research. Slide collections have quite a distinct social history, different from photographs on paper, and now constitute archival items in themselves, open to a variety of future uses.View full textDownload full textKeywordsPhotographs, Colour Slides, Africa, Social Technology, ArchiveRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/02757206.2010.521555
机译:这篇简短的文章提供了《特刊》的后记,其中包括对我父亲和我本人(尤其是1950年代至1970年代中期在非洲)创作的彩色幻灯片收藏的自传评论。与这里的主要贡献者的工作及其在阿尔弗雷德·盖尔(Alfred Gell)的工作中共同的理论灵感相关。我指出了业余摄影师需要将其彩色幻灯片作为一种表演来呈现的特定社会关系,这种表演最初可能是为家人和朋友而设,但也适合教育环境。我和父亲一样,在演讲中都使用过幻灯片,但是(连同录音)也作为民族志文档和研究的一部分。幻灯片集合具有与众不同的社会历史,不同于纸上的照片,现在它们本身就是档案,可以用于将来的各种用途。查看全文下载全文关键字照片,彩色幻灯片,非洲,社交技术,存档相关的var addthis_config = { ui_cobrand:“ Taylor&Francis Online”,service_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/02757206.2010.521555

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