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>Gustav Mahler Symphony No 4 Composed when he was influenced by the Knaben Wunderhorn collected folk poems it stands unique in form and aspiration. Christopher Breunig offers an introduction
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Gustav Mahler Symphony No 4 Composed when he was influenced by the Knaben Wunderhorn collected folk poems it stands unique in form and aspiration. Christopher Breunig offers an introduction
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机译:古斯塔夫·马勒《第四交响曲》(Gustav Mahler Symphony No 4)受克纳本·维德霍恩(Knaben Wunderhorn)收集的民间诗歌的影响而组成,它在形式和志向上都独一无二。 Christopher Breunig提供了一个介绍
As this issue of HFN is likely to reach you during the festive period, why not a piece that starts with sleigh-bells? No, not Leroy Anderson, but Mahler's fourth symphony, written in 1899-1900, and first performed in Munich in November 1901. The UK premiere came just a few years later in a 1905 Prom concert with Sir Henry Wood. As the conductor Ivan Fischer has said, Mahler had set out to create 'a childish symphony' the opening two-flute motifs 'like two children in a kindergarten'. But the music flows with a complete naturalness, says Fischer, combining Viennese flavours with innocence to achieve something entirely unique.
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机译:由于本期HFN可能会在节日期间送达您,为什么不以雪橇铃音开头?不,不是勒罗伊·安德森(Leroy Anderson),而是马勒(Mahler)创作于1899-1900年的第四交响曲,该交响曲于1901年11月在慕尼黑首次演出。几年后,在1905年的舞会上,亨利·伍德爵士(Sir Henry Wood)在英国首演。正如指挥家伊凡·费舍尔(Ivan Fischer)所说,马勒(Mahler)着手创作“幼稚的交响曲”,开场的两个长笛主题“就像两个幼儿园的孩子”。 Fischer说,但是音乐流淌着完全自然的声音,将维也纳风味与纯真结合起来,从而获得了完全独特的效果。
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