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GIOVANNI LORETO [GIORGIO DE CHIRICO]

机译:乔瓦尼·洛雷托[GIORGIO DE CHIRICO]

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摘要

Typed on three sheets of thin paper, this essay-written in French and bearing the simple title "Giorgio de Chirico"-arrived at the editorial offices of L'esprit nouveau on December 29, 1921. Signed "Giovanni Loreto," the text has since been demonstrated to have been written by the eponymous artist himself, who made frequent use of pseudonyms in promoting his own work.1 Underscoring the architectonic sensibility of his Metaphysical painting and its consequence for the contemporary avant-garde, de Chirico appeals here to the affinities of the journal's editors, Le Corbusier and Amedee Ozenfant. His efforts were ultimately in vain however, as the essay was never published. It remains in the archive of the Fondation Corbusier.
机译:该论文用三页薄纸打字,用法语写成,带有简单的标题“ Giorgio de Chirico”,于1921年12月29日到达L'esprit nouveau的编辑部。自从被证明是由同名画家本人写的以来,他就经常使用化名来推广自己的作品。1de Chirico强调了他的形而上绘画的建筑敏感性及其对当代前卫艺术的影响,因此在这里吸引了该杂志的编辑勒·柯布西耶(Le Corbusier)和阿米德·奥辛芬(Amedee Ozenfant)的关系。然而,由于论文从未发表,他的努力最终是徒劳的。它仍保留在Corbusation基金会的档案中。

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  • 来源
    《Grey room》 |2011年第44期|p.87-89|共3页
  • 作者

    ARA H. MERJIAN;

  • 作者单位

    Italian Studies and Art History at New York University;

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  • 正文语种 eng
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