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Countering exclusion: the 'St. Pats for all' parade

机译:反排斥:“圣全民拍拍

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摘要

The St. Patrick's Day parade in New York City has historically been a crucial site for annually reproducing narratives of Irishness through a very public performative ritual taking place on Fifth Avenue. However, in recent years controversy has surrounded this event, associated with the organizers' decision to ban self-identifying Irish homosexuals, a decision supported by the US Supreme Court. In response, a 'counter-parade' now takes place in the neighboring borough of Queens, which is beginning to mount a serious challenge to the more established ritual. Billed as the first all-inclusive St. Patrick's Day parade in the city's history, this 'St. Pats for All' parade articulates a very different narrative of Irishness than that paraded on Fifth Avenue. In this article I seek to examine this alternative event and the contested identity politics associated with Irishness in New York City, focusing primarily on the axes of nationalism and sexuality, and the role played by public space.
机译:从历史上看,纽约市的圣帕特里克节游行一直是每年通过第五大道举行的非常公开的表演仪式重现爱尔兰叙事的重要场所。但是,近年来,这一事件引起了争议,这与组织者决定禁止自我识别爱尔兰同性恋者有关,美国最高法院支持这一决定。作为回应,现在在邻近的皇后区举行“阅兵式”,这开始对更成熟的仪式提出了严峻的挑战。这座“圣帕特里克节”被誉为城市历史上首个全包式圣帕特里克节游行。 《全民拍》游行与第五大道上的游行讲述的爱尔兰故事截然不同。在本文中,我试图研究这种另类事件以及在纽约市与爱尔兰有关的有争议的身份政治,主要关注民族主义和性倾向的轴心,以及公共空间的作用。

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