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The Carnavalização of São João: Forrós, Sambas and Festive Interventions during Bahia, Brazil's festas juninas

机译:CarnavalizaçãodeSãooJoão:巴西巴伊亚节(Bahia)期间的Forrós,Sambas和节日干预

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This article explores the neighbourhood-based samba practices of working class Afro-Brazilians during the festas juninas (June Festivals) in Bahia, Brazil. In contrast to Bahia's famous Carnival, a recognised site for activism, the festas juninas appear apolitical, seeming to lack overt resistance to colour-based inequities that persist in Brazil despite national discourses of mestiçagem (mixing) and racial democracy. In recent years, however, June samba has (re-)emerged as a means for marginalised people to assert belonging in June events and festival narratives from which they have been excluded. Their activism draws on tactics used by Bahia's afro-centric activist carnival organisations, but with important differences. Most notably, rather than placing ‘Africa’ at the centre of their interventions, June samba participants express new notions of Black Bahian subjectivity through the critically informed embrace of local Afro-diasporic traditions—especially a recently recognised UNESCO ‘masterpiece’ known as samba de roda—and more cosmopolitan musical sensibilities.View full textDownload full textKeywordsSalvador, Bahia, Brazil, São João, Samba, Cultural Politics, Black Identity, Afro-diasporic performanceRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17411912.2012.699791
机译:本文探讨了在巴西巴伊亚州的节日juninas(六月节)期间,工人阶级非洲裔巴西人在社区中进行的桑巴舞实践。与巴伊亚州著名的狂欢节相比,狂欢节是公认的激进主义者,而节日的那人似乎是非政治的,尽管他们对民族主义(混合)和种族民主进行了讨论,但他们似乎缺乏对在巴西仍然存在的基于色彩的不平等的抵抗。然而,近年来,六月桑巴舞(重新)作为边缘化人们主张属于六月活动和节日叙事的一种手段而被排除在外。他们的行动主义借鉴了巴伊亚州以非洲为中心的激进主义嘉年华组织所采用的策略,但有一些重要差异。最值得注意的是,6月的桑巴舞者并未将“非洲”放在干预的中心,而是通过严格了解当地非裔美国人的传统来表达黑人巴伊亚主观性的新观念,尤其是最近得到认可的联合国教科文组织–杰作被称为samba de roda”和更多国际化的音乐情感。查看全文下载全文关键字萨尔瓦多,巴伊亚州,巴西,圣何塞,桑巴舞,文化政治,黑人认同,非洲侨民演出相关的var addthis_config = {ui_cobrand :“ Taylor&Francis Online”,services_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more”,pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17411912.2012.699791

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