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What is Missing? Reflections on the Human-nature Relationship in Maya Lin's Final Memorial

机译:有什么不见了?林玛雅最后纪念馆中人与自然关系的思考

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This article provides an analysis of Maya Lin's final memorial, What is Missing? (WIM), to understand how it rhetorically draws awareness to the material impacts of the nature-culture divide. Lin's memorial argues for preserving the natural world through combining visual, aural, and textual elements and employing locus of the irreparable within an online interface. The combination of these rhetorical strategies, as well as the interaction between form and content, disrupts the human gaze, which frames nature as an object for consumption. WIM also activates mastery-harmony, othering-connection, and exploitation-idealism dialectics to highlight the tension between these opposing perspectives and to create discursive openings for new understandings of the human-nature relationship.
机译:本文提供了对玛雅琳最后的纪念馆“失踪的东西”的分析。 (WIM),以了解它是如何用言辞吸引自然界文化鸿沟的物质影响的意识。林先生的纪念馆主张通过结合视觉,听觉和文字元素并利用在线界面中无法弥补的轨迹来保护自然世界。这些修辞策略的结合,以及形式与内容之间的相互作用,破坏了人的凝视,凝视着自然作为消费的对象。 WIM还激活了掌握和谐,其他联系和剥削理想主义的辩证法,以突出这些相对观点之间的张力,并为新的人与自然关系的理解开辟了开放的空间。

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