Ceramic through the eyes of Luigi Ghirri

摘要

The poetic sensibility of Luigi Ghirri and the experimental approach of Marazzi intersected in 1975 in a series of fruitful episodes of representation of ceramic through photography. Unlike commercial photographers, Ghirri looked at the tile in a new way: as an 'object' on which other objects could be placed in order to create a space that, instead of being the physical and measurable space of a room, became the idea of the mental space of a moment.