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Technical substance and aesthetic value in the work of Giuseppe Bavuso

机译:Giuseppe Bavuso工作中的技术实质与审美价值

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His objects are never forced in terms of form and have a great technical value. Structural cleanness is taken to the extreme, so much so that the distinction between formal and functional elements disappears. "The aesthetic and technical aspects are bound up with the material," explains the architect. "What I try to do is exploit to the full the potential of materials using them in the most natural and simple way possible". This attention to the language of materials probably stems from his early professional experiences in the super-technical world of the automotive industry. He recounts: "Looking to other sectors has enabled me to take innovative technical solutions into the domestic sphere". In the designs conceived for Rimadesio, a company he is now the artistic director for, this kind of sensitivity is evident. He designed the first door in glass and aluminium for the Brianza-based company 28 years ago, a time when this was unheard of in the world of furniture. "Furniture was made from wood", recalls the designer, "we started to use industrial materials and we brought them into the world of design". Since then, glass and aluminium have become the protagonists in Rimadesio's solutions for the home, such as the Velaria system of sliding doors where the structural profile in aluminium with its minimal thickness functions to enhance the exclusive aesthetic qualities of glass. Aluminium is a resistant material, easy to work with and can be salvaged at the end of a product's life. Lightweight and rustproof, it is affected very little by atmospheric agents. Due to these characteristics, Bavuso took it into the field of window frames straight away, continuing to express his vision. Alongside design for Rimadesio, he is pursuing a similar course in the world of windows. He is now artistic director for Erco, and has worked with them to integrate the architectural element that is the window into the interior design, treating it as an object of design.
机译:他的物品永远不会被迫在形式方面,具有巨大的技术价值。结构清洁被视为极端,因此正式和功能元素之间的区别消失。 “审美和技术方面与材料束缚,”建筑师解释道。 “我尝试做的是利用以最自然而简单的方式使用它们的材料的充分潜力”。这种对材料语言的注意力可能是他在汽车行业超级技术世界的早期专业经验中的源病。他述评:“展望其他行业使我能够将创新的技术解决方案带入国内球体”。在为Rimadesio构思的设计中,他现在是艺术总监的公司,这种敏感性是显而易见的。他在28年前设计了Brianza的Blass和铝的第一扇门,这是一个闻所未闻的家具的时间。 “家具由木材制成”,回忆起设计师,“我们开始使用工业材料,我们将它们带入了设计世界”。从那时起,玻璃和铝已成为Rimadesio的家庭解决方案中的主角,例如滑动门的Velaria系统,其中铝中的结构轮廓具有最小厚度的功能,以提高玻璃的独家美学品质。铝是一种耐料材料,易于使用,可以在产品寿命结束时销售。轻质和防锈,它受到大气代理的影响很少。由于这些特点,Bavuso立即将其进入窗户框架的领域,继续表达他的愿景。除了Rimadesio的设计外,他正在追求窗户世界的类似课程。他现在是Erco的艺术总监,并与他们合作,将是窗户进入室内设计的建筑元素,将其视为设计对象。

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    《Domus》 |2021年第2期|ⅩⅩⅥ-ⅩⅩⅥ|共1页
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