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Music, Selves and Societies: Respondent Paper

机译:音乐,自我和社会:受访者

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Researchers working within the field of music and society often comment that they wish to use their research for the betterment of society and individuals, wherever possible. In many cases, this process of betterment requires some sort of behavioral change—whether this is changing poor habits to promote healthy living and thinking or changing destructive behavior in order to lead more productive and connected lives. It can increasingly be seen in the world today that social behavior has a complex array of influences and motivations and rarely is empirical evidence one of them. No amount of thoroughly researched evidence or logically developed arguments influences this behavior. Brexit and the Trump administration are two examples of this phenomenon. What seems to influence this seemingly bizarre social behavior is a collective belief in a narrative. The narrative needs to speak to common emotions, senses of identities and memories, but it does not need to necessarily be supported by empirical evidence to be effective. There is a need to understand this power of narrative in the public discourse if we are to truly influence how public policy engages with music.
机译:在音乐和社会领域工作的研究人员经常发表评论,他们希望尽可能利用他们的研究来改善社会和个人。在许多情况下,这种改善过程需要某种行为变革 - 这是否改变了促进健康生活和思维或改变破坏性行为的差的习惯,以便领导更加富有成效和联系的生命。今天在世界上越来越多地看到社会行为具有复杂的影响和动机,并且很少是他们中的经验证据。没有彻底研究的证据或逻辑开发的论据影响了这种行为。 Brexit和特朗普政府是这种现象的两个例子。似乎影响了这个看似奇怪的社会行为是一个叙事中的集体信念。叙述需要与普通情绪,身份和记忆感,但不需要通过经验证据有效的经验证据来支持。如果我们要真正影响公共政策如何与音乐互动,有必要了解公众话语中的这种叙事的力量。

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