The Aesthetic Self. The Importance of Aesthetic Taste in Music and Art for Our Perceived Identity

Fingerhut Joerg; Gomez-Lavin Javier; Winklmayr Claudia; Prinz Jesse J

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The Aesthetic Self. The Importance of Aesthetic Taste in Music and Art for Our Perceived Identity

机译：审美自我。审美味道在音乐和艺术中的重要性，为我们的认识到身份

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To what extent does aesthetic taste and our interest in the arts constitute who we are? We present a series of empirical findings of an Aesthetic Self Effect supporting the claim that our aesthetic engagements are regarded as a central component of our identity: we have aesthetic selves. Counterfactual changes in aesthetic preferences, for example, moving from liking classical music to liking pop, are perceived as altering us as a person. This Aesthetic Self Effect is as strong as the impact of moral changes, such as altering political partisanship or religious orientation, and significantly stronger than for other categories of taste, such as food preferences (Pretest/Study 1, n = 251/359). Using a multidimensional scaling technique to model perceived aesthetic similarities among musical genres, we determined that aesthetic distances between genres correlate highly with the perceived difference in identity (Pretest/Study 2, n = 45/364). Further studies generalize the Aesthetic Self Effect beyond the musical domain: general changes in visual art preferences, for example from more traditional to abstract art, also elicited a strong Self Effect (Study 3, n = 237). Exploring the breadth of this effect we found an additional Anaesthetic Self Effect. That is, hypothetical changes from aesthetic indifference to caring about music, art or beauty are judged to have a significant impact on identity. This effect is stronger for aesthetic fields compared to adopting leisure activities, such as hiking or playing video games (Study 4, n = 305). Indeed, across our studies the Anaesthetic Self Effect turns out to be even stronger than the Aesthetic Self Effect. Taken together we found evidence for a link between aesthetics and identity: when our taste in music and the arts or our aesthetic interests change, we take these changes to severely transform us.

机译：审美味道和我们对艺术的兴趣在多大程度上构成我们是谁？我们展示了一系列审美自效的经验研究结果，支持我们的审美参与被视为我们身份的中央组成部分：我们有审美自我。例如，从喜欢古典音乐移动到喜欢流行音乐的审美偏好的反事实变化被认为是改变我们作为一个人。这种审美自我效应与道德变化的影响一样强烈，例如改变政治党派或宗教取向，比其他类别的品味更强大，例如食物偏好（预测试/研究1，N = 251/359）。利用多维缩放技术在音乐群中模拟感知的美学相似性，我们确定了遗传之间的美学距离高度随着身份的感知差异（预测试/研究2，N = 45/364）。进一步的研究概括了音乐领域之外的审美自效：视觉艺术偏好的一般变化，例如从更传统的抽象艺术，也引发了强烈的自效（研究3，n = 237）。探索这一效果的宽度我们发现了额外的麻醉自效。也就是说，从审美漠不关心的对音乐，艺术或美容的审美漠不关心的假设变化被判断为对身份产生重大影响。与采用休闲活动（如徒步旅行或播放视频游戏）相比，这种效果更强，例如休闲活动（如徒步旅行（研究4，N = 305）。事实上，在我们的研究中，麻醉自我效果结果比审美自我效应更强烈。我们共同发现了美学和身份之间联系的证据：当我们对音乐和艺术的味道或我们的审美利益发生变化时，我们将这些变化严重转变。

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《Frontiers in Psychology》 |2020年第2期|共页
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Fingerhut Joerg; Gomez-Lavin Javier; Winklmayr Claudia; Prinz Jesse J;
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中图分类心理学;
关键词
beautyselfmoral valuesaesthetic emotionsAesthetic valuesPersonal IdentityArtTasteMusic;

机译：BeautySelfMoral ValuessAesthethethic EnviceSaesthetheticalsonal IdentityArttaTemusic;

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1. The Aesthetic Self. The Importance of Aesthetic Taste in Music and Art for Our Perceived Identity [J] . Joerg Fingerhut, Javier Gomez-Lavin, Claudia Winklmayr, Frontiers in Psychology . 2020,第a期

机译：审美自我。对我们感知身份的审美品味对音乐和艺术的重要性
2. “Taste is not to conform to the art, but the art to the taste”: aesthetic instrumentalism and the British body politic in the neoclassical age [J] . Karl Axelsson Journal of Aesthetics & Culture . 2013,第1期

机译：“品味不符合艺术，而艺术品符合品味”：美学工具主义和新古典主义时代的英国身体政治
3. Edward Elgar: “Modern” or “Modernist?” Construction of an Aesthetic Identity in the British Music Press, 1895–1934 [J] . Charles Edward McGuire The Musical Quarterly . 2008,第1a2期

机译：爱德华·埃尔加：“现代”还是“现代主义者？” 1895–1934年英国音乐出版社的审美身份建构
4. Influence of the literati aesthetic taste of Art [C] . Zhang Haiyan International Conference on Education, Economics, Social Science, Arts, Sports and Management Engineering . 2016

机译：文人艺术艺术味道的影响
5. A COMPARISON OF ELEMENTARY GENERAL MUSIC EDUCATOR PRACTICES AND RATIONALE FOR THE INCLUSION OF MUSICAL VARIETY IN AESTHETIC EDUCATION TOWARD BROADENING MUSICAL TASTE. [D] . ROBERTS, MICHAEL BENJAMIN. 1982

机译：普通音乐教育者实践与将音乐多样性纳入音乐教育以丰富音乐品味的合理性的比较。
6. The Aesthetic Self. The Importance of Aesthetic Taste in Music and Art for Our Perceived Identity [O] . Joerg Fingerhut, Javier Gomez-Lavin, Claudia Winklmayr, 2020

机译：审美自我。审美味道在音乐和艺术中的重要性为我们的认识到身份
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The Aesthetic Self. The Importance of Aesthetic Taste in Music and Art for Our Perceived Identity

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