bassist and composer Charles Mingus got into an altercation with a member of the BC Lions football team is a good example. Quoting at length, Jago contrasts subjective recollections to implicitly illustrate how memory functions as a mechanism for situating oneself in time and in place. She subsequently explains: “[R]aised consistently as a point of reference by interviewees, [Mingus’s stay at The Cellar] served as a tool for recognition … and as a point of mutual experience that still … separates those who were part of the scene from those who were not.” .
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机译：Bassist和Composer Charles Mingus与BC狮子足球队的成员进行了争执，这是一个很好的例子。引用长度，Jago对比主观回忆隐含地说明内存如何运用作为在时间和地位的情况下的机制。她随后解释说：“[r]一直愿意作为受访者的参考点，[明斯斯在地窖里留下来]作为一个识别的工具......作为仍然存在的相互经验的观点......分开那些部分现场的人来自那些没有的人。“ 。
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