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首页> 外文期刊>H-ermes. Journal of Communication >Beyond screens, beyond borders. Il caso SKAM = Beyond screens, beyond borders. SKAM, a case study
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Beyond screens, beyond borders. Il caso SKAM = Beyond screens, beyond borders. SKAM, a case study

机译:超越屏幕,超越边界。 Il Caso skam =超越屏幕,超越边界。 Skam,案例研究

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摘要

The Norwegian series SKAM is one of the most interesting products of contemporary television, as a match between the structure of transmedia storytelling and the established tv genre of the teen-drama. In 2018 SKAM became an international success.The series is firstly published in real time, in the form of short clips on the dedicated website, and it is later assembled on television or on the streaming platform in weekly episodes. This format has trascended the borders between screens and between states as no other product before. If the transmedial structure of SKAM perfectly fits a media consumption practice linked to the briefness of contents shared on social media, the intrinsic power of this format allowed the original series to find a huge following in many countries thanks to appropriation experiences like fan subbing or fan art. The temporality of the series’ fruition is integrated in the daily routine of the viewers, thus cementing the parasocial bonds with the characters.
机译:挪威系列Skam是当代电视最有趣的产品之一,作为传输讲故事的结构与青少年戏剧的建立电视类型之间的匹配。 2018年,Skam成为国际成功。该系列首先是实时发布的,以专门的网站上的短剪辑形式,后来在每周剧集的电视或流平台上组装。此格式使屏幕之间的边框和状态之间的边框覆盖为之前没有其他产品。如果SKAM的传输结构完美地拟合媒体消费实践与社交媒体上共享的内容的简要性相关,这种格式的内在力量允许原始系列在许多国家找到巨大的追随者,因为粉丝划线或粉丝等拨款经验艺术。系列的暂时性的成果集成在观众的日常例程中,从而将副关联与角色粘贴在一起。

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