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Achieving the Visual Perception and Gestalt Psychology in Sultan Hassan Mosque Building

机译:在苏丹哈桑清真寺建设中实现视觉感知和格式塔心理学

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The gestalt principles are perception and what is visually communicated by objects. These principles describe the visual language within which we work. Understanding how a designer realizes things visually will help designers communicate better. Many designers use Gestalt principles to have a structure visual stimulus, so as to create interfaces that are easy for users to understand. Because the understanding of visual perception is a critical item in any designer’s toolkit. Islamic heritage buildings also contain many architectural values, especially the Sultan Hassan Mosque in Cairo. Through this paper, we will verify the use of gestalt principles of visual perception in the building design. Because the psychological organization of the design, achieves the understanding and awareness of the current relationships between the elements, depending on the extent of regularity, accuracy, and consistency of the design elements. This makes us recognize the esthetic values of Sultan Hassan’s building and mosque. The visual delight we get from architecture begins with how we perceive it. So, in order to understand how visual delight arises, we must first understand how we perceive and interpret visual stimuli. Especially since the principles of gestalt confirm that the human brain tends to make tricks and illusions. Therefore, we found the mosque designer had exploited this fact during the design process, to exclude any possibility of the resulting misunderstanding. The designer achieved the psychological preparation of the visitor by using some principles of visual perception of the Gestalt theory, such as growth, continuity, and hierarchy.
机译:格式塔原则是感知,并且通过物体目视传达的内容。这些原则描述了我们工作的视觉语言。了解设计人员如何直观地实现事物,有助于设计人员更好地沟通。许多设计人员使用Gestalt原则具有结构视觉刺激,以便创建容易用户理解的接口。因为对视觉感知的理解是任何设计者的工具包中的关键项目。伊斯兰遗产建筑也包含许多建筑价值观,特别是开罗的苏丹哈桑清真寺。通过本文,我们将验证在建筑物设计中使用GESTALT ALTAL PIRCEPTION的使用。由于设计的心理组织,取决于元素之间的当前关系的理解和意识,具体取决于规则性,准确性和设计元素的一致性的程度。这使我们认识到苏丹哈桑建筑和清真寺的美学价值。我们从建筑中获得的视觉喜悦始于我们如何察觉。所以,为了了解令人欣喜若狂,我们必须先了解我们如何感知和解释视觉刺激。特别是因为甲茅的原则证实,人类大脑往往会造成技巧和幻想。因此,我们发现清真寺设计师在设计过程中利用了这一事实,以排除所产生的误解的任何可能性。设计师通过使用对大型格式理论的一些视觉感知的原则来实现访客的心理准备,例如生长,连续性和等级。

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