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A storm of swords and spears: The weapon dancer as an enduring symbol in prehistoric Scandinavia

机译:剑和矛的风暴:武器舞者作为史前斯堪的纳维亚的持久符号

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The past fifteen years have witnessed increasing effort to study and understand the belief system of Bronze Age Scandinavia. Different forms of material culture—including rock art and metalwork—and allusions to texts such as the Vedic Rig Veda , have led many to suggest the existence of a shared belief system with an Indo-European solar focus. Yet certain symbols attributed to this Indo-European system seem to have striking parallels in later Norse religious iconography—symbols such as weapon dancer imagery. Several examples of Bronze Age rock art display scenes of weapon-bearing figures, performing ritualistic motions that some have interpreted as dancing. Could this represent a case of prehistoric continuity? By presenting and comparing the Iron and Bronze Age evidence, this paper suggests a possible continuity in representations of warrior rituals on figurative material, underlining the importance of advertising a warrior identity and mentality in Prehistoric Scandinavian communities. In doing so, it also emphasizes the endurance of Prehistoric Scandinavian symbolic structures overall.
机译:过去的十五年已经见证了努力学习和理解青铜时代斯堪的纳维亚的信仰体系。不同形式的材料培养 - 包括岩石艺术和金属制品 - 以及诸如吠陀的瑞达等文本的典故,使许多人提出了具有印度欧洲太阳焦点的共同信仰体系的存在。然而,归因于这个印度欧洲系统的某些符号似乎在后来的诺尔斯宗教图标 - 符号等武器舞者图像中的符号醒目。青铜年龄岩石艺术展示武器数字的若干例子,表现出一些被解释为舞蹈的仪式运动。这可能代表史前连续性的情况吗?本文通过呈现和比较铁和青铜时代证据,这篇论文提出了对比喻材料的战士仪式的代表中可能的连续性,强调了在史前斯堪的纳维亚社区广告战士身份和心态的重要性。在这样做时,它还强调总体普通斯堪的纳维亚象征结构的耐力。

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