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Visual tuning and metrical perception of realistic point-light dance movements

机译:逼真的点光舞蹈动作的视觉调整和度量感知

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Humans move to music spontaneously, and this sensorimotor coupling underlies musical rhythm perception. The present research proposed that, based on common action representation, different metrical levels as in auditory rhythms could emerge visually when observing structured dance movements. Participants watched a point-light figure performing basic steps of Swing dance cyclically in different tempi, whereby the trunk bounced vertically at every beat and the limbs moved laterally at every second beat, yielding two possible metrical periodicities. In Experiment 1, participants freely identified a tempo of the movement and tapped along. While some observers only tuned to the bounce and some only to the limbs, the majority tuned to one level or the other depending on the movement tempo, which was also associated with individuals' preferred tempo. In Experiment 2, participants reproduced the tempo of leg movements by four regular taps, and showed a slower perceived leg tempo with than without the trunk bouncing simultaneously in the stimuli. This mirrors previous findings of an auditory 'subdivision effect', suggesting the leg movements were perceived as beat while the bounce as subdivisions. Together these results support visual metrical perception of dance movements, which may employ similar action-based mechanisms to those underpinning auditory rhythm perception.
机译:人类自发地移动到音乐,这种感觉运动耦合成为音乐节奏感知的基础。本研究提出,基于共同的动作表现,当观察结构化的舞蹈动作时,可以在听觉节奏中出现不同的度量水平。参与者观看了一个点光源的人物,以不同的节奏周期性地执行着摇摆舞的基本步骤,由此,躯干在每次跳动时都垂直反弹,而肢体在每第二次跳动时就横向移动,从而产生了两种可能的度量周期性。在实验1中,参与者自由地确定了运动的节奏并轻按。虽然一些观察者仅调到弹跳,而另一些观察者只调到四肢,但大多数人根据运动节奏调到一个或另一个水平,这也与个人的偏好节奏相关。在实验2中,参与者通过四个常规水龙头重现了腿部动作的节奏,并显示出在没有躯干同时在刺激中弹跳的情况下,感知到的腿部节奏较慢。这反映了听觉“细分效果”的先前发现,表明腿部运动被视为拍子,而弹跳被视为细分。这些结果加在一起支持了舞蹈动作的视觉度量感知,可以采用与基于动作的机制相似的机制来支持听觉节奏感知。

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