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Segmentation of dance movement: effects of expertise, visual familiarity, motor experience and music

机译:舞蹈动作细分:专业知识,视觉熟悉度,运动体验和音乐的影响

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According to event segmentation theory, action perception depends on sensory cues and prior knowledge, and the segmentation of observed actions is crucial for understanding and memorizing these actions. While most activities in everyday life are characterized by external goals and interaction with objects or persons, this does not necessarily apply to dance-like actions. We investigated to what extent visual familiarity of the observed movement and accompanying music influence the segmentation of a dance phrase in dancers of different skill level and non-dancers. In Experiment 1, dancers and non-dancers repeatedly watched a video clip showing a dancer performing a choreographed dance phrase and indicated segment boundaries by key press. Dancers generally defined less segment boundaries than non-dancers, specifically in the first trials in which visual familiarity with the phrase was low. Music increased the number of segment boundaries in the non-dancers and decreased it in the dancers. The results suggest that dance expertise reduces the number of perceived segment boundaries in an observed dance phrase, and that the ways visual familiarity and music affect movement segmentation are modulated by dance expertise. In a second experiment, motor experience was added as factor, based on empirical evidence suggesting that action perception is modified by visual and motor expertise in different ways. In Experiment 2, the same task as in Experiment 1 was performed by dance amateurs, and was repeated by the same participants after they had learned to dance the presented dance phrase. Less segment boundaries were defined in the middle trials after participants had learned to dance the phrase, and music reduced the number of segment boundaries before learning. The results suggest that specific motor experience of the observed movement influences its perception and anticipation and makes segmentation broader, but not to the same degree as dance expertise on a professional level.
机译:根据事件分割理论,动作感知取决于感觉线索和先验知识,而观察到的动作的分割对于理解和记忆这些动作至关重要。虽然日常生活中的大多数活动都以外部目标以及与对象或人的互动为特征,但这并不一定适用于类似舞蹈的动作。我们调查了观察到的动作的视觉熟悉程度和伴随的音乐在不同技能水平的舞者和非舞蹈演员中对舞蹈短语的分割的影响程度。在实验1中,舞者和非舞者反复观看视频剪辑,该视频剪辑显示了舞者表演的是编舞的舞蹈短语并通过按键指示了片段边界。舞者通常定义的段边界要比非舞者少,特别是在最初的尝试中,该词的视觉熟悉度较低。音乐增加了非舞蹈演员的片段边界数量,而减少了舞蹈演员的片段边界数量。结果表明,舞蹈专业知识减少了观察到的舞蹈短语中感知到的片段边界的数量,并且视觉专业性和音乐影响运动细分的方式受到舞蹈专业知识的调节。在第二个实验中,根据经验证据,运动经验被添加为因素,这表明视觉和运动专业知识以不同方式修改了动作感知。在实验2中,业余舞蹈者执行与实验1中相同的任务,并且在他们学会了跳舞所呈现的舞蹈短语之后,由相同的参与者重复进行。在参与者学会跳舞该短语之后,在中间试验中定义的段边界较少,音乐在学习之前减少了段边界的数量。结果表明,所观察到的动作的特定运动体验会影响其感知和预期,并使细分范围更广,但程度与专业水平上的舞蹈专业知识不同。

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