首页> 外文期刊>Journal of Literature and Science >Amanda Mordavsky Caleb, Review of Carolyn Burdett’s ‘Sexual Selection, Automata and Ethics in George Eliot’s The Mill on the Floss and Olive Schreiner’s Undine and From Man to Man’
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Amanda Mordavsky Caleb, Review of Carolyn Burdett’s ‘Sexual Selection, Automata and Ethics in George Eliot’s The Mill on the Floss and Olive Schreiner’s Undine and From Man to Man’

机译:阿曼达·莫达夫斯基·卡勒布(Amanda Mordavsky Caleb),卡罗琳·伯迪(Carolyn Burdett)的“性选择,自动机和伦理学评论”,乔治·艾略特(George Eliot)的《牙线磨坊》和奥利夫·史莱纳的《尘世与人与人》

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Studies of science and literature continually return to George Eliot's works as primary examples of the intersection between Darwin's view of evolution and Victorian literature. Analysis of Eliot's work appear in some of the most important texts in literature and science studies, most notably Gillian Beer's seminal work Darwin's Plots (1983) and Sally Shuttleworth's George Eliot and Nineteenth-Century Science (1984). It is difficult to find new ways to approach a text like The Mill on the Floss through the lens of Darwinian theory, yet Carolyn Burdett manages to do just that by moving away from just a Darwinian reading of the novel, and instead incorporating contemporary theories of automata (most notably T.H. Huxley's work) as a bridge between Eliot and Olive Schreiner
机译:科学和文学研究不断回归乔治·艾略特(George Eliot)的作品,作为达尔文的进化观与维多利亚时代文学之间交汇的主要例子。对艾略特著作的分析出现在一些文学和科学研究中最重要的文献中,最著名的是吉莲·比尔(Gillian Beer)的开创性著作《达尔文的情节》(Darwin's Plots,1983)和萨利·沙特尔沃思(Sally Shuttleworth)的乔治·艾略特(George Eliot)和《十九世纪科学》(Nineteenth Century Century,1984)。很难找到新的方法来通过达尔文理论来处理像《牙线磨坊》这样的文字,但卡罗琳·伯特特(Carolyn Burdett)设法做到了这一点,不再只是对小说进行达尔文式的解读,而是结合了现代小说的理论。自动机(最著名的是赫Hu黎的作品),是艾略特和奥利夫·施莱纳之间的桥梁

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