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首页> 外文期刊>University of Saskatchewan Undergraduate Research Journal >‘Come with me, sweetest sister’: Unravelling the Enigma of Sacred Sisterhood in Aurora Leigh by Elizabeth Barrett Browning and “Goblin Market” by Christina Rossetti
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‘Come with me, sweetest sister’: Unravelling the Enigma of Sacred Sisterhood in Aurora Leigh by Elizabeth Barrett Browning and “Goblin Market” by Christina Rossetti

机译:“跟我来,最甜蜜的妹妹”:解开伊丽莎白·巴雷特·布朗宁的《极光圣地之谜》和克里斯蒂娜·罗塞蒂的《妖精市场》

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Throughout the Victorian era, Elizabeth Barrett Browning and Christina Rossetti occupied a prominent position in a newly emerging female literary movement. Both authors sought to resist and revise the limitations of Victorian womanhood through the composition of controversial works that rivalled the achievements of their male contemporaries. In the 1856 epic Aurora Leigh by Elizabeth Barrett Browning and the 1862 narrative poem “Goblin Market” by Christina Rossetti, both Barrett Browning and Rossetti employ an early feminist perspective to explore the parameters of Victorian sisterhood and the potential strength of female friendship. Although Laura, Lizzie and Jeanie in Rossetti’s work possess a sororal relationship that is distinct from Marian Erle and Aurora Leigh’s relationship in Barrett Browning’s work, the innumerable connections between both publications have caused critics to compare and hierarchize the two authors. Thus, a literary sisterhood has developed between Barrett Browning and Rossetti that curiously mirrors the sisterhoods of their fictions. This paper seeks to assess the inescapable presence of sisterhood in Aurora Leigh and “Goblin Market” by analyzing the manner in which a sisterly connection, not only through blood relations but also through close friendships that resemble sisterhood, allowed female forces to be allied, nurtured, and empowered amidst the patriarchal and misogynist structures of mid-nineteenth century Britain.
机译:在整个维多利亚时代,伊丽莎白·巴雷特·布朗宁和克里斯蒂娜·罗塞蒂在新兴的女性文学运动中占据重要地位。两位作者都试图通过与有争议的当代男性作品相抗衡的有争议作品的构成来抵制和修改维多利亚时代女性的局限性。 1856年,伊丽莎白·巴雷特·布朗宁的史诗《极光》和克里斯蒂娜·罗塞蒂的1862年叙事诗《妖精市场》中,巴雷特·布朗宁和罗塞蒂都采用了早期的女权主义视角来探索维多利亚时代的姐妹情谊和女性友谊的潜在力量。尽管罗塞蒂作品中的劳拉(Laura),丽兹(Lizzie)和珍妮(Jeanie)具有与玛丽安·艾尔(Marian Erle)和奥罗拉·利(Aurora Leigh)在巴雷特·布朗宁(Barrett Browning)作品中的关系截然不同的恋爱关系,但两家出版物之间无数的联系使批评家们对两位作家进行了比较和划分。因此,巴雷特·布朗宁和罗塞蒂之间发展了文学上的姐妹关系,奇怪地反映了他们小说中的姐妹关系。本文旨在通过分析姐妹关系的方式,不仅通过血缘关系,而且通过类似于姐妹关系的亲密友谊,使女性力量得以联合,培育,从而评估在奥罗拉·利和“妖精市场”中不可避免的姐妹关系的存在。 ,并在19世纪中叶英国的父权制和厌恶女权主义者的结构中授权。

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