The works of Eliza Orzeszkowa, W?adys?aw Reymont, and Maria D?browska set in Polish rural society at the end of the nineteenth century, contain a wealth of material relating to the image of woman and the ways in which the female world is created. This article analyses the sphere of female sexuality and how the female figures that violated accepted norms – the femmes fatales- are created.I argue that the depicted “degradation” of women in these works reflects existing cultural codes and conventions. It conforms above all to views long established in the social consciousness – and dictated by the Catholic Church – concerning sexuality, sexual feelings and especially female physiology. These views were particularly dominant in the small close-knit communities where these novels and short stories are set.
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机译：Eliza Orzeszkowa，W？adys？aw Reymont和Maria Maria D？browska的作品于19世纪末在波兰农村社会中创作，包含了与女性形象以及女性世界方式相关的大量材料。被建造。本文分析了女性的性行为领域，以及如何创造出违反公认规范的女性形象-女性蛇蝎美人。我认为这些作品中所描绘的女性“堕落”反映了现有的文化规范和习俗。它首先符合长期以来在社会意识中确立的观点，该观点是由天主教会决定的，涉及性，性感受，尤其是女性生理。这些观点在设置这些小说和短篇小说的小而紧密的社区中尤其占主导地位。
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