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New Actors on Stage: Analysis of the Emergent Forms of Collective Action in the European Context

机译:舞台上的新演员:欧洲背景下集体行动的新兴形式分析

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In this article our focus will be on civil society’s responses triggered by the imposition of the societies of austerity. The analysis will be centred on an emerging collective actor, the indignados, and on the conditions that fostered its formation and processes involved in the construction of its identity. To accomplish this task, we retrieved Ernesto Laclau’s political logic of populism and the concept of political developed by Chantal Mouffe and applied them to the formation of the indignados’ identity. This process is conceived in terms of the construction of antagonistic frontiers which divide the social into two opposing fields. This conception allows us to develop an analysis based on the notion of social conflict, as well as a reflection on the potentialities embodied by this new social actor, despite their presentation by the dominant discourse as utopic and therefore impossible. In this proposal, it is our aim to provide a better understanding of what is at stake when we talk about the indignados and a clearer perception of the political dimension of both struggle and resistance.
机译:在本文中,我们的重点将放在实施紧缩社会引发的民间社会的回应上。分析将集中于一个新兴的集体行动者,即印第安纳多斯,以及促进其形成和参与其身份建构的过程的条件。为了完成此任务,我们检索了埃内斯托·拉克劳(Ernesto Laclau)的民粹主义政治逻辑和尚塔尔·穆菲(Chantal Mouffe)提出的政治概念,并将其应用于靛蓝主义者身份的形成。这个过程是根据将社会分为两个相对领域的对立边界的构想而构想的。这个概念使我们能够基于社会冲突的概念进行分析,并反思这个新的社会行为者所体现的潜力,尽管他们以占主导地位的话语将它们呈现为主题,因此是不可能的。在这项提议中,我们的目的是更好地了解当我们谈论印第安纳多时所面临的危险,并更清晰地理解斗争和抵抗的政治层面。

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