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An Ethnographic Study of Audience Viewing of the Telenovela- Kumkum Bhagya at Selected Sites in Ghana

机译:对加纳某些地点的Telenovela- Kumkum Bhagya的观众进行民族志研究

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Although telenovelas originated outside Africa, they have gained so much popularity in some African countries with Ghana not being an exception. This popularity has led to the emergence of a new phenomenon of viewing telenovelas at domesticated but open television viewing sites such as hair salons, grocery stores, cafes, gaming centers among others. Since this phenomenon has brought about a gathering of individuals at a common assembly ground, there is the need to explore the ideas that shape meaning making and the kind of interactions that take place. This paper investigates the culture that surrounds the immediate viewing of the Hindi produced telenovela- Kumkum Bhagya at selected sites in Winneba- Ghana. Using the theory of Popular Culture through an ethnographic approach and anchored on interviews, participant observations, and focus group discussions, the paper reveals that viewers of Kumkum Bhagya cut across various classes on the social ladder reiterating the assertion that, in Africa, everyone irrespective of their sex, age, religion, or ethnicity patronizes popular culture. Also, the findings of the study which were grouped into pre-viewing culture, viewing culture and post-viewing culture revealed that the culture that surround the viewing of Kumkum Bhagya are made of planned and unplanned activities which are all geared towards a successful telenovela viewing at the selected sites.
机译:尽管远视线虫起源于非洲以外的地区,但在加纳也不例外,它们在一些非洲国家已经获得了如此广泛的欢迎。这种受欢迎程度导致出现了一种新现象,即在家庭化但开放的电视观看网站上观看电视小说,例如美发沙龙,杂货店,咖啡馆,游戏中心等。由于这种现象使人们聚集在一个共同的集会场所,因此有必要探索塑造意义形成和发生的互动的观念。本文调查了在Winneba-Ghana选定地点立即观看印地语制作的Telenovela- Kumkum Bhagya周围的文化。该论文通过民族志方法运用大众文化理论,并以访谈,参与者观察和焦点小组讨论为基础,揭示了Kumkum Bhagya的观众在社会阶梯上跨越了各个阶层,重申了这样的主张,即在非洲,每个人都不分性别他们的性别,年龄,宗教信仰或族裔光顾大众文化。此外,研究的结果分为观看前文化,观看文化和观看后文化,揭示了围绕Kumkum Bhagya观看的文化是由计划和非计划的活动构成的,所有这些活动都旨在成功进行电视小说观看在所选站点上。

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