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A Study of the Multi Dimensional function of the Image of the Pear Tree in Mansfield's Short Story Bliss

机译:曼斯菲尔德短篇小说《极乐》中梨树形象的多维功能研究

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Kathleen Mansfield (1888 –1923)1 is one of the outstanding twentieth century short story writers and a poetess whose poems reveal her overwhelming interest in using nature imagery to enhance the social , moral and psychological ideas in her work. Kathleen Mansfield was born and brought up in New Zealand . She left for Great Britain in 1908 , where she encountered modernist writers such as D.H. Lawrence and Virginia Woolf and ,eventually , they became close friends .2 Mansfield read the works of Marcel Proust, Wordsworth, Coleridge, T.S. Eliot , Oscar Wild and other English writers of the early twentieth century. Her stories often focus on moments of crisis which cover a short period of time , approximately a day , in which the central character passes from a stage of innocence to personal and social awareness3 . Mrs. Dalloway (1925) 4 is a novel by Virginia Woolf which details a day in the life of the heroine, Clarissa Dalloway who prepares for a party to be held in the evening. Katherine Mansfield 's short story Bliss 5( first published in The English Review in 1920 and later in the collection Bliss and Other Stories,1922 ) also describes a day in the heroine , Bertha Young's life . Like Clarissa Dalloway, Bertha Young is preparing for a grand dinner party in the evening in her own house. Unlike Mrs. Dalloway ,who seems miserable and totally discontented with her family and her married life to her husband Richard, we first meet Bertha Young in a state of rapture , reflecting her transient happiness and contentment with everything around her . The experiences of the party for the latter climaxes into a great disappointment and resignation as she realizes her husband's deception and her own naive perception of the true meaning of the status of the bliss in her life . However, at the end of her party ,Mrs. Dalloway realizes that all her miseries and negative feelings are mere self delusions related to the neuroses of the middle age. She discovers that the true meaning of happiness and fulfillment in her life resides in being close to her family ties and responsibilities as a wife and a mother. The experiences of the party result in similar crucial awakening in the life of Bertha Young , but in a totally opposite direction: The status of bliss and anxiety she has been experiencing at the start of the party changes into utter misery coupled with her painful recognition of being patronized by her domineering and selfish husband . Her perception of her true female position reinforces a new understanding of the meaning of bliss in her life . She realizes that complete happiness or rapture is either non –existent or superficially achieved within the social reality of male domination and female role playing . As a modern writer, Katherine Mansfield adopts different means , such as magic realism, symbolism ,psychoanalysis, Marxism and feminist theories in delineating her female protagonist's predicament and her ultimate transformation. She also employs poetic and dramatic techniques for the same purposes in the story. This paper attempts to focus especially on Mansfield's three dimensional use of the pear tree in foreshadowing the heroine's odyssey towards self – reckoning , which is innovative in essence .Above all , Mansfield uses the pear tree as a symbol that constantly shifts in meaning and significance in the course of the narrative . In the early parts of the story the image of the pear tree symbolizes of the heroine 's naivety and blindness to reality . Yet , throughout the story the image of the pear tree becomes a motif associated with the heroine's manner of perception of her state of being in bliss . From this perspective , it submerges into a sublime means for creating harmony ,unity and coherence between the essential events of the one day in the heroine's life . At the end of Mansfield's narrative the peer tree submerges into a sublime element t epiphany which engenders in Bertha's final self recognition . This paper will be divided into four sections. The first section is an introduction which states the main ideas of the study. Section two focuses on the central character , Bertha Young's tendency to self delusion . Section three provide a through analyses of the role of the pear in Bertha's journey towards traumatic self realization . Section four highlights the main findings of the paper.
机译:凯瑟琳·曼斯菲尔德(Kathleen Mansfield,1888年–1923年)1是二十世纪杰出的短篇小说家之一,也是一位诗人,其诗歌透漏了她对利用自然意象增强其工作中的社会,道德和心理观念的浓厚兴趣。凯瑟琳·曼斯菲尔德(Kathleen Mansfield)在新西兰出生并长大。她于1908年前往英国,在那里遇到了劳伦斯和弗吉尼亚·伍尔夫(D.H. Lawrence)和弗吉尼亚·伍尔夫(Virginia Woolf)等现代主义作家,最终他们成为了密友。2曼斯菲尔德(Mansfield)阅读了马塞尔·普鲁斯特(Marcel Proust),华兹华斯(Wordsworth),科尔里里奇(Coleridge)艾略特,奥斯卡·怀尔德(Oscar Wild)和20世纪初的其他英国作家。她的故事通常集中在危机时刻,涵盖短时间(大约一天),其中中心人物从纯真阶段过渡到个人和社会意识3。达洛威夫人(1925)4是弗吉尼亚·伍尔夫(Virginia Woolf)创作的一本小说,其中详细介绍了女主人公克拉丽莎·达洛威(Clarissa Dalloway)的生活,她为晚间的聚会做准备。凯瑟琳·曼斯菲尔德(Katherine Mansfield)的短篇小说《极乐5》(1920年在《英语评论》上首次发表,后来在《极乐与其他故事》(1922年)中出版)也描述了女主人公贝莎·扬的一生。像克拉丽莎·达洛威(Clarissa Dalloway)一样,伯莎·杨(Bertha Young)正在晚上准备在自己家中举办一场盛大的晚宴。与达洛威夫人不同,达洛威夫人对自己的家人和对丈夫丈夫理查德的婚姻生活感到悲惨和完全不满,我们首先以狂喜的状态结识了伯莎·杨,这反映了她短暂的幸福和对周围一切的满足。当政党意识到丈夫的欺骗和对生活中幸福的真实含义的天真理解时,后者对后者的经历引起极大的失望和辞职。但是,在宴会结束时,夫人。达洛维(Dalloway)意识到,她所有的痛苦和消极情绪仅仅是与中年神经症有关的自我幻想。她发现,幸福和充实的人生真正意义在于与家人的关系和作为妻子和母亲的责任。派对的经历在贝莎·杨的生活中也产生了类似的关键觉醒,但方向却截然相反:在派对开始时她所经历的幸福和焦虑状态变成了彻底的痛苦,加上对痛苦的痛苦认识。她的霸气和自私的丈夫赞助了她。她对自己真正女性地位的理解增强了人们对幸福的意义的新认识。她意识到,在男性统治和女性角色扮演的社会现实中,根本不存在或表面上无法实现完全的幸福或被提。凯瑟琳·曼斯菲尔德(Katherine Mansfield)作为现代作家,在描述女性主角的困境和最终转变时,采用了魔术现实主义,象征主义,精神分析,马克思主义和女权主义理论等不同方式。为了故事中的相同目的,她还运用了诗意和戏剧性的技巧。本文试图特别着重于曼斯菲尔德对梨树的三维运用,预示着女主人公对自我推测的冒险,这在本质上是创新的。首先,曼斯菲尔德使用梨树作为象征,其含义和意义不断变化。叙述的过程。在故事的早期,梨树的形象象征着女主人公的天真和对现实的盲目性。然而,在整个故事中,梨树的形象成为与女主人公对自己幸福状态的感知方式相关的主题。从这个角度来看,它浸没在一种崇高的手段中,用以在女主人公生命中某一天的重要事件之间创造和谐,统一和连贯。在曼斯菲尔德(Mansfield)的叙述结束时,对等树浸入了崇高的元素t顿悟中,从而使伯莎最终获得了自我认可。本文将分为四个部分。第一部分是绪论,陈述了研究的主要思想。第二部分着眼于中心角色,即伯莎·杨的自我幻想倾向。第三部分对梨在伯莎走向创伤性自我实现的过程中的作用进行了透彻的分析。第四节重点介绍了论文的主要发现。

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