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Die prolo? van Terentius - 'n teatercredo

机译:在木星上?范特伦斯-'n teatercredo

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In his prologues Terence replies to criticism on his work and criticizes the comic convention, but also expounds his own theory of theatre. The theatrical event is contained in three elements: text, actor and audience. Only when these three elements meet and work together in the theatre do we have living drama. The playwright entrusts his text (studium) to the guardianship (tutela) of the actor who has the authority (auctoritas) of a guardian (tutor) to act in the interest of the author and his work. The text is also entrusted to the good faith (fides) of the audience who has the moral duty (fideicommissum) to give the play a fair hearing. By employing technical terminology from Roman public and legal life, however, Terence makes theatre a res publica, a public affair where playwright, actor and audience have a civic duty to promote theatre.
机译:特伦斯(Terence)在序言中回应了对他的作品的批评,并批评了喜剧惯例,但也阐述了他自己的戏剧理论。戏剧活动包含三个元素:文字,演员和观众。只有当这三个要素在剧院中相遇并一起工作时,我们才能拥有生动的戏剧。剧作家将他的文本(讲台)交托给演员(监护人)的监护权(特图拉),该监护人有权(监护人)为作者和他的作品谋取利益。文本也被委托给负有道德义务(公正委员会)的听众的善意(诚实),以使该剧获得公正的听证会。然而,通过使用罗马公众和法律生活中的技术术语,特伦斯将剧院变成了公共场所,这是一项公共事务,剧作家,演员和观众都有促进剧院发展的公民义务。

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