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A study of identity in post-apartheid South African English literature: The Pickup by Nadine Gordimer

机译:种族隔离后的南非英语文学中的身份研究:纳丁·戈迪默(Nadine Gordimer)的《拾起》

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In examining aspects of identity in “The Pickup” (2001), Nadine Gordimer's latest novel, this article indicates new trends in postapartheid South African English literature as well. In the article it is indicated that identity has always been an important theme in Gordimer's novels. Her earlier novels tend to focus on her characters' struggle to attain political or racial rather than personal freedom, while her later novels increasingly tend to examine the construction of individual identities. “The Pickup” has continued this search for identity, but against a new and interesting perspective, a perspective that is in line with the political transformation of post-apartheid South Africa after 1994. Moreover, this theme is extremely relevant in the twenty-first century with its increased emphasis on place and globalisation. This article thus examines the theme of identity in “The Pickup”, first against a South African background and then against the backdrop of an unknown town somewhere in the desert – most probably in Northern Africa.
机译:纳丁·戈迪默(Nadine Gordimer)的最新小说《皮卡》(The Pickup)(2001)中的身份方面,这篇文章也指出了种族隔离之后的南非英语文学的新趋势。文章指出,身份一直是戈迪默尔小说中的重要主题。她的较早的小说倾向于侧重于人物的争取政治或种族自由的斗争,而不是个人的自由,而她的较新的小说则越来越倾向于考察个人身份的建构。 “捡拾人”继续了寻找身份的过程,但与一个新的有趣的观点相反,这个观点与1994年后种族隔离主义南非的政治转型是一致的。此外,该主题在二十一世纪极为重要世纪,它越来越重视地点和全球化。因此,本文首先在南非背景下,然后在沙漠中某处未知城镇(最有可能在北非)的背景下,考察了“皮卡”中的身份主题。

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