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Aliens and existential elevators: absurdity and its shadows in Douglas Adams's Hitch hiker series

机译:外星人和生存电梯:道格拉斯·亚当斯(Douglas Adams)的《希区徒步旅行者》系列中的荒诞及其阴影

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According to twentieth-century existentialist philosophy, the universe as we know it is steeped in senselessness, and the only possible means of survival is the construction of subjective meaning. Douglas Adams's fictional universe portrayed in his “Hitch hiker” series reflects the arbitrary nature of existence, and the characters dwelling in this narrative space are faced with two existential choices: the one is defiance in the face of senselessness, the other is bleak despair. This article explores the existential choices made by prominent characters in the “Hitch hiker” series. The article distinguishes between and analyses the Sisyphus characters and their polar opposites (or nihilist shadows) in Douglas Adams's “Hitch hiker” series. Adams's characters, be they human, alien or sentient machine, all face the same existential choice: actuate individual meaning, or resort to despondency. Characters who choose the first option are regarded as Sisyphus figures, whereas characters who choose the latter are referred to as shadows or nihilist nemeses.
机译:根据二十世纪的存在主义哲学,我们所知道的宇宙陷入了无意识之中,生存的唯一可能手段是主观意义的建构。道格拉斯·亚当斯(Douglas Adams)在他的“搭便车者”系列中描绘的虚构宇宙反映了存在的任意性,居住在这个叙事空间中的人物面临着两种生存选择:一种是面对无知时的蔑视,另一种是沮丧的绝望。本文探讨了“搭便车者”系列中知名人物的生存选择。本文区分并分析了道格拉斯·亚当斯(Douglas Adams)的“希奇徒步旅行者”系列中的西西弗斯(Sisyphus)角色及其极性相反的事物(或虚无主义的阴影)。亚当斯的性格,无论是人类的,外来的还是有感觉的机器,都面临着相同的生存选择:激发个人的意义,或诉诸沮丧。选择第一个选项的字符被认为是西西弗斯人的形象,而选择后者的字符被称为阴影或空想的敌人。

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