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Po?sie en popkultuur: oor enkele gedigte van Joan Hambidge

机译:诗歌与流行文化:琼·哈姆比奇的一些诗歌

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Poetry and pop culture: Some poems by Joan Hambidge The influence of pop culture as a general movement, as well as pop art as a specific art movement, can be seen in the work of Joan Hambidge. In a number of her poems Hambidge enters into conversation with Andy Warhol as the most prominent pop artist. She comments through poetry on Warhol's life and work method and also presents her poems in the idiom of Warhol. This entails, inter alia, a repetition or duplication of the content, a deliberate intertextual conversation with verbal and visual artists and a reuse of existing material. Hambidge follows Warhol's representation of popular cult figures from the pop era by creating a number of word portraits of famous people such as Marilyn Monroe and James Dean. This “gallery” of word portraits becomes part of the (well-known) literary conversation which Hambidge conducts with other poets and artists, and at the same time communicates her own poetics as well as her own view on the construction of identity and death. Ultimately this pre-occupation with cult figures becomes a mask for the self.
机译:诗歌与流行文化:琼·哈姆比奇的一些诗歌琼·哈姆比奇的作品中可以看到流行文化作为一种​​普遍运动的影响,以及流行艺术作为一种特定艺术运动的影响。 Hambidge在她的许多诗中都与最著名的流行艺术家Andy Warhol进行了对话。她通过诗歌对沃霍尔的生活和工作方式进行评论,并在沃霍尔的成语中介绍自己的诗歌。这尤其包括内容的重复或重复,与语言和视觉艺术家的故意互文对话以及对现有材料的再利用。 Hambidge通过创建许多玛丽莲·梦露和詹姆斯·迪恩等名人的文字肖像,效仿沃霍尔对流行时代流行邪教人物的描述。汉米兹与其他诗人和艺术家进行的(著名的)文学对话,是文字肖像的“画廊”的一部分,同时传达了她自己的诗学以及对身份和死亡建构的看法。最终,这种对邪教人物的沉迷变成了自我的掩盖。

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