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The Cultural Landscape Past of the Eastern Mediterranean: The Border Lord’s Gardens and the Common Landscape Tradition of the Arabic and Byzantine Culture

机译:东地中海的文化景观:边境领主的花园与阿拉伯和拜占庭文化的共同景观传统

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摘要

An evaluation of landscape tradition, in Near and Middle East area, could emphasize a profound past of agricultural experience, as well as of landscape and garden art. In reference to this common past, Byzantine and Arabic landscape and garden art paradigms appear to be geographically and culturally correlated, as proved by a Byzantine 12th century folksong, presenting the construction of a villa, with its surrounding gardens and landscape formations, in the territory of Euphrates River. This song refers to Vasilios Digenes Akritas or ‘Border Lord’, a legendary hero of mixed Byzantine-Greek and Arab blood; ‘Digenes’ meaning a person of dual genes, both of Byzantine and Arabic origin, and ‘Akritas’ an inhabitant of the borderline. At the end of the narration of the song, contemporary reader feels skeptical. Was modern landscape and garden art born in the European continent or was it transferred to Western world through an eastern originated lineage of Byzantine and Arabic provenance?.
机译:对近东和中东地区的景观传统进行评估,可以强调农业经验以及景观和园林艺术的悠久历史。参照这一共同的过去,拜占庭和阿拉伯的景观和园林艺术范式似乎在地理和文化上具有相关性,这是由12世纪的拜占庭民歌所证明的,该建筑呈现了该别墅的建造及其周围的花园和景观构造幼发拉底河。这首歌指的是Vasilios Digenes Akritas或“边界领主”,他是拜占庭希腊人和阿拉伯血统混合的传奇英雄; “双基因”是指由拜占庭和阿拉伯血统的双重基因组成的人,而“阿克丽塔斯”则是边界居民。在这首歌的叙述结束时,当代读者感到怀疑。现代景观和园林艺术是在欧洲大陆诞生的,还是通过东方起源的拜占庭和阿拉伯血统传承到西方世界的?

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