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首页> 外文期刊>Museum and Society >Rebecca DeRoo, The Museum Establishment and Contemporary Art: The Politics of Artistic Display in France after 1968, Cambridge: Cambridge University Press, 2006
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Rebecca DeRoo, The Museum Establishment and Contemporary Art: The Politics of Artistic Display in France after 1968, Cambridge: Cambridge University Press, 2006

机译:丽贝卡·德鲁(Rebecca DeRoo),《博物馆的建立与当代艺术:1968年后法国的艺术展示政治》,剑桥:剑桥大学出版社,2006年

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Just as the Louvre was forged on the anvil of the French Revolution, so too the Pompidou Centerwas hammered out in the wake of France's May 1968 protests. The turmoil of late-eighteenth-century France not only supplanted the ancien r¨|gime with popular sovereignty, it alsoconverted the old order's wealth into a national patrimony that - through the vessel of the Louvre- made it a compelling symbol of national resolve, civic ownership, and public access. While theMay '68 protestors were not quite so ambitious as their predecessors, they did target the mostvisible of the nation's social and cultural resources for seizure and transfiguration. Theconvulsions of each struggle erupted from a volatile mix of popular anger and utopian vision,day-to-day humiliations stoked into action by stirring ideas that interpreted causes and heraldedsolutions. But unlike the wealth and resources targeted in 1789, those of May 1968 were nowinstitutionalized as corporations, government agencies, public schools, universities, and ofcourse museums. Instead of the crown's palaces, there were university buildings, factories, anda museum (the Mus¨|e National d'Art Moderne) to occupy; and while the '68 protestors soughtto transform society, it was by reforming existing institutions to complete the unfinished work ofthe first revolution
机译:正如卢浮宫是在法国大革命的铁砧上锻造的一样,蓬皮杜艺术中心也因法国1968年5月的抗议活动而遭到重创。十八世纪末的法国动荡不但取代了具有人民主权的旧政权,而且还把旧秩序的财富转变为国民遗产,通过卢浮宫的船只使它成为国家决心的有力象征,公民所有权和公共访问权限。尽管68年5月的抗议者并不像他们的前辈那样野心勃勃,但他们的确把目标是国家最可见的社会和文化资源用于扣押和变相。每次斗争的抽搐都源于流行的愤怒和乌托邦式的视线的不定混合,日常的羞辱通过搅动解释原因和预示解决方案的思想而付诸实践。但是,与1789年的财富和资源目标不同,1968年5月的财富和资源现在被制度化为公司,政府机构,公立学校,大学和课程博物馆。除了王室的宫殿外,还有大学建筑,工厂和博物馆(现代艺术国家博物馆)正在占据;尽管68示威者试图改变社会,但这是通过改革现有机构来完成第一次革命未完成的工作

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