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Curating Action: Rethinking Ethnographic Collections and the Role/Place of Performing Arts in the Museum

机译:策展活动:对民族志收藏品和表演艺术在博物馆中的作用/地点的反思

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Dance involves a set of movements that embody social memory. Such forms ofintangible heritage have presented emerging challenges for curatorship. Thispaper draws from the experience of the Musées de la civilisation (Quebec City,Canada) to address ideas of collecting and curating in the performing arts. Bypresenting the travelling exhibition Rebel Bodies, an international collaborativeproject that highlights contemporary dance and movement as universal modes ofcreativity and expression, the paper reflects on the social role of the museum insustaining creativity within the community as well as on the use of ethnographicmaterial to collectively (through museums and artists) curate the intangible. Intreating notions of natural, virtuoso, urban, multi, political, and atypical bodies,this exhibition brings together performers and creative artists as well as industriesin the museum setting. Such interplays, it is argued, encourage the sustainableparticipation of artistic communities/industries and further highlight museums asdynamic loci for the promotion of social change
机译:舞蹈涉及一系列体现社会记忆的运动。这种形式的非物质遗产给策展带来了新的挑战。本文借鉴了文明博物馆(加拿大魁北克市)的经验,探讨了表演艺术的收藏和策展理念。通过展示旅游展览会Rebel Bodies,这是一个国际合作项目,强调当代舞蹈和运动是创造力和表达的普遍方式,它反映了博物馆在社区中维持创造力的社会作用,以及人种学材料的集体使用(通过博物馆和艺术家)策划无形资产。该展览融合了自然,艺术,城市,多元,政治和非典型机构的概念,汇集了表演者,创意艺术家以及博物馆中的各个行业。据认为,这种相互作用促进了艺术社区/行业的可持续参与,并进一步强调了博物馆作为促进社会变革的动态场所。

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