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Review of Unruly River: Two Centuries of Change Along the Missouri by Robert Kelley Schneiders

机译:罗伯特·凯利·施耐德(Robert Kelley Schneiders)评析《 Unruly River:密苏里河沿岸的两个世纪的变化》

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With renewed discomfort, I return to my September 1997 issue of National Geographic, reading of China's grandiose Three Gorges Project. Construction of this immense concrete dam across the Yangtze River is well underway. When complete in 2009, the dam and reservoir will displace two million people and inundate four hundred miles of beautiful river and riparian lands. I want to lease a cargo plane, fly to China, and dump thousands of copies of Robert Kelley Schneiders's Unruly River on the cloistered leadership in Beijing, yelling at the top of my lungs, "Don't you see?" Unruly River: Two Centuries of Change Along the Missouri should be required reading for anyone in the world who considers large dams the solution for some perceived social problem. Schneiders chronicles EuroAmerican contact with the Missouri since 1800, including the Corps of Engineers' prolonged struggle to tame the wild Missouri-even when it has been difficult to identify who the victim and the perpetrator of harm along the river has been. The book begins by describing the contemporary river, from its headwaters in Montana to its confluence with the Mississippi upstream of St. Louis, accentuating the half-dozen mainstern dams in the upper basin and the dikes, narrowed and deepened channels, and other navigation features in the lower basin. Schneiders then recounts the flora and fauna of the predevelopment Missouri, accompanied by a series of black-and-white reproductions of early river paintings including those of Swiss artist Karl Bodmer who made his way up the Missouri in 1833. The reader yearning for color reproductions of these paintings will easily find them in Karl Bodmer's America, issued by the Smithsonian Institute in 1985. Even these diminished illustrations, along with Schneiders's understated style, convince the reader that the predevelopment river was an intensely beautiful and vibrant place.
机译:带着新的不适,我回到1997年9月的《国家地理》上,读了中国宏伟的“三峡计划”。这座横跨长江的巨大混凝土大坝的建设正在进行中。 2009年完工​​后,大坝和水库将使200万人流离失所,并淹没四百英里的美丽河流和河岸土地。我想租一架货机,飞往中国,并把数以千计的罗伯特·凯利·施耐德的《不羁之河》丢在北京隐居的领导层,大声疾呼,“你没看到吗?”不守规矩的河流:密苏里河沿岸的两个世纪的变化,应该是世界上任何认为大型水坝是解决某些社会问题的人的必读之书。施耐德(Schneiders)记述了自1800年以来,欧洲美国人与密苏里州的接触,包括工程兵团为驯服野生密苏里州而进行的长期斗争,即使很难确定谁是河沿岸的受害者和肇事者。该书首先描述了当代河流,从蒙大纳州的上游水源到与圣路易斯上游的密西西比河的汇合处,突显了上流域的半数大型水坝,堤防,狭窄和加深的河道以及其他航行特征在下盆地。随后,施耐德(Schneiders)讲述了密苏里州预开发区的动植物,以及一系列早期河画的黑白复制品,其中包括1833年瑞士画家卡尔·博德默(Karl Bodmer)登上密苏里州的那些作品。读者渴望彩色复制品这些画作很容易在1985年由史密森学会(Smithsonian Institute)发行的卡尔·博德默(Karl Bodmer)的《美国》中找到。即使是这些插图的减少以及施耐德(Schneiders)朴素的风格,也使读者相信预开发河是一个非常美丽而充满活力的地方。

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