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Legal Protection Against The Dance Creator In Indonesia

机译:印度尼西亚针对舞蹈创作者的法律保护

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This research aimed to find out and to analyze the ideal legal protection so it can encourage the creator of dance in developing a creation in the field of dance and to find out and to analyze and to get the concept of legal protection of copyright in the field of dance after the enactment of Act No. 28 of 2014 concerns Copyright. This research is empirical juridical. The technique of collecting legal material is conducted through interviews, questionnaires to respondents and literature study, i.e by collecting various documents in the form of primary, secondary and tertiary legal materials. The results of research showed that: (1). Dance is a part of copyright associated with diverse art and culture owned by the Indonesian, certainly dance produced by consume energy, thoughts, time, and cost by Dance Creator, with regard to the creation, the state has given protection of dance creator for art as stipulated in Article 40 letter e of Act No. 28 of 2014 as an expression of respect and appreciation to the Dance Creator; (2) In association with the regulation on the protection of creative works of art dance regulated in Act No. 28 of 2014, the creator of dance argues is very important to give the protection of dance creator for their copyrighted works, particularly their rights as a creator of dance i.e moral and economic rights. Giving moral and economic rights cannot be felt fully by the creator of dance, this is due to the creator of dance does not have an institutions that will accommodate the creativity of creators that useful for their welfare.
机译:这项研究旨在找出和分析理想的法律保护,从而可以鼓励舞蹈创作者发展舞蹈领域的创作,并找出和分析并获得该领域的版权法律保护概念。 2014年第28号法令颁布后的舞蹈作品涉及版权。这项研究是经验法学的。收集法律材料的技术是通过访谈,对受访者的问卷调查和文献研究来进行的,即通过收集主要,次要和三次法律材料形​​式的各种文件。研究结果表明:(1)。舞蹈是印度尼西亚人拥有的与多种艺术和文化相关的版权的一部分,当然,舞蹈是由舞蹈创作者消耗的精力,思想,时间和成本产生的,就创作而言,国家已为艺术创作者提供了保护根据2014年第28号法令第40条e款的规定,以表达对舞蹈创作者的尊重和赞赏; (2)根据2014年第28号法令对舞蹈艺术作品的保护的法规,舞蹈创作者认为,为舞蹈创作者的版权作品(尤其是其版权)提供保护非常重要。舞蹈的创造者,即精神和经济权利。舞蹈创作者无法完全感受到给予精神和经济权利的原因,这是因为舞蹈创作者没有能够容纳有益于创作者的创造力的机构。

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