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3D Cinematography in the Cinema Art of Kazakhstan: Technological, Film Studying and Social Aspects | Science Publications

机译:哈萨克斯坦电影艺术中的3D摄影:技术,电影研究和社会方面|科学出版物

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> >The article discusses the problems of formation and study ofthe new direction in the audiovisual culture and art-3D cinema. The film set ofthe first Kazakhstan 3D film, i.e., complicated for production feature 3D filmnamed “Returning to the ‘A’” directed by Yegor Mikhalkov-Konchalovskiy was theexperimentation facility of the research. The purpose of the study is toconduct a comprehensive evaluation of the integral characteristic of thecommunicative potential-social and psychological climate in the shooting teamof first Kazakh 3D movie. A comprehensive analysis of the social andpsychological climate in the shooting team staff of 3D movie has revealed itspositive evaluation in all the communicative tests as the best, friendly, good,close to the maximum group cohesion index, sufficient level of sociability anddemocratic style of leadership. The author's definition to the communicationsas a social and informative metabolism is given. The model of film production isdeveloped by types of communications. 3D film-making technology can extend thecapabilities of the communication potential of film art as a means of masscommunication.
机译: > >本文讨论了视听文化和3D艺术电影中新方向的形成和研究问题。哈萨克斯坦第一部3D电影的胶片集,即制作复杂的3D电影,由Yegor Mikhalkov-Konchalovskiy执导的名为“重返A”的电影,是这项研究的实验设施。该研究的目的是对第一部哈萨克3D电影的拍摄团队中的沟通潜力,社交和心理气候的整体特征进行综合评估。对3D电影拍摄团队工作人员的社会和心理氛围进行的综合分析显示,在所有交际测试中,其最佳,友好,良好,接近最大群体凝聚力指数,足够的社交能力和民主领导风格对它的积极评价。给出了作者对通讯作为一种社会性和信息性新陈代谢的定义。电影制作的模式是根据传播类型发展的。 3D电影制作技术可以扩展电影艺术作为大众传播手段的传播潜力。

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