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Telling the Nation: A Postmodernist Reading of Tanure Ojaide’s God’s Medicine-Men and Other Stories

机译:告诉国家:塔努尔·奥贾德(Tanure Ojaide)的《上帝的药人》和其他故事的后现代主义解读

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Postmodernist reasoning signifies a move from traditional viewpoint to an accelerated technological terrain, the implication of this diversion is noticeable in the eclectic nature of life in contemporary society; all things become a continual flickering without any recognizable or perpetual presence. As a literary concept, postmodernism fashions the problematic landscape for the appreciation of the disordered nature of the world as it focuses on the dismantling of traditional values and affirmation of a fragmented society. Postmodernism, with its subtle emphasis on capitalism, has greatly exacerbated the post-colonial tendencies in Tanure Ojaide’s God’s Medicine-Men and Other Stories as money becomes a recurrent motif and a chief signifier. The stories underpin the overarching effect of cultural materialism, individuals and the society as everyone is caught in its web; these stories could also be read as the author’s depiction of a society that is going through a cultural flux.
机译:后现代主义的推理标志着从传统观点转向加速的技术领域,这种转移的含义在当代社会生活的折衷本质中是显而易见的。万物在没有任何可识别或永久存在的情况下成为一种持续的闪烁。作为一种文学观念,后现代主义关注于颠覆传统价值观念和确认零散的社会,从而形成了一个问题世界,以供人们欣赏世界的无序本质。后现代主义以对资本主义的微妙强调,极大地加剧了塔努埃·奥贾德(Tanure Ojaide)的《上帝的医药人及其他故事》中的后殖民倾向,因为金钱成为了经常性的主题和主要指称。每个人都被其网络所吸引,这些故事支撑着文化唯物主义,个人和社会的总体作用;这些故事也可以看作是作者对一个正在经历文化变革的社会的描绘。

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