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A Bard’s eye view: Narrative mediation in Xena: Warrior Princess

机译:吟游诗人的眼光:《 Xena:叙事战士》中的叙事调解

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This article aims to present an analytical survey of various aspects of narrative mediation in the action-fantasy TV-series Xena: Warrior Princess , by discussing a number of structural, verbal as well as visual devices that justify the qualification of Xena as “art television”. What is particularly unique to this series is the manner in which Xena’s heroic exploits have reached the modern viewer, namely by means of the “scrolls” produced by Xena’s sidekick and bardic companion Gabrielle. Consecutive sections discuss and illustrate the role of Gabrielle as storyteller and narrative mediator, the function and presentation of her “scrolls”, the use of intertextual or remediating as well as regendering narration of familiar narratives from myth and history, and some of the narrative problems Gabrielle is made to encounter, such as writer’s block, writerly self-doubt and the power of the word taking over from “reality”.
机译:本文旨在通过讨论证明资格的结构,言语和视觉装置,对动作幻想电视连续剧《侠盗猎车手:战士公主》中的叙事调解的各个方面进行分析性调查。 > Xena被誉为“艺术电视”。本系列的特别之处在于,Xena的英雄式功绩到达现代观众的方式,即借助Xena的同伴和吟游诗人加布里埃尔(Gabrielle)制作的“卷轴”。连续的部分讨论并说明了加布里埃尔(Gabrielle)作为讲故事者和叙事调解人的角色,她的“故事卷”的功能和表现,互文性或补救性的使用以及从神话和历史上重新叙述了熟悉的叙事以及一些叙事问题加布里埃尔被迫遇到诸如作家的障碍,作家的自我怀疑以及单词从“现实”手中接管的力量。

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