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St Edward?s Chair in the Queen Mary Psalter - Kathryn A. Smith

机译:玛丽·玛莎·王后的圣爱德华椅-凯瑟琳·史密斯

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The Queen Mary Psalter (British Library, Royal MS. 2 B. VII), probably made c. 1310-20 for a royal recipient, is among the most lavishly illuminated manuscripts produced in late medieval England. This study focuses principally on a single picture in the Psalter’s Old Testament preface showing the prophet Nathan’s reproof of a repentant King David, and it identifies in that picture what is ostensibly the earliest surviving depiction of St Edward’s Chair, now commonly known as the Coronation Chair, made at the end of the thirteenth century on the order of Edward I. The drawing and its Anglo-Norman French caption are examined for the evidence they offer concerning a range of artistic and political issues, among them the chair’s possible use in the coronation of Edward II in 1308. This study then widens its focus to consider the depiction in the preface of a second artifact associated with the coronation rite: the dove-topped rod or virga, held by the Egyptian pharaoh in a scene in the Joseph story. The essay concludes with speculations concerning the messages that these two topical treatments of biblical history might have conveyed to their presumed royal reader-viewer(s) about the nature and limits of royal authority.
机译:玛丽·普萨尔特皇后(大英图书馆,皇家MS。2 B. VII),可能是c。皇家接受者1310-20是中世纪晚期英格兰生产的照明最丰富的手稿之一。这项研究主要集中在《诗篇》旧约序言中的一张图片上,该图片展示了先知内森对悔改的大卫王的谴责,并且在图片中确定了表面上最早现存的对圣爱德华椅(现称为加冕椅)的描绘。由爱德华一世(Edward I)于13世纪末完成。对绘画及其盎格鲁-诺曼法语字幕进行了审查,以寻找它们提供的有关一系列艺术和政治问题的证据,其中包括椅子在加冕典礼中的可能用途1308年爱德华二世的作品。然后,这项研究扩大了研究的重点,以考虑与加冕礼相关的第二件人工制品的前言:埃及法老王在约瑟夫故事中的场景中所举的鸽子顶杆或处女座。本文的结尾对有关圣经历史的两种主题处理可能传达给他们的假定皇家读者-读者有关皇家权威的性质和局限性的信息进行了推测。

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