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Predicting Emotions and Meta-Emotions at the Movies: The Role of the Need for Affect in Audiences' Experience of Horror and Drama

机译:预测电影中的情感和元情感:情感需求在观众恐怖和戏剧体验中的作用

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摘要

Audiences are attracted to dramas and horror movies even though negative and ambivalent emotions are likely to be experienced. Research into the seemingly paradoxical enjoyment of this kind of media entertainment has typically focused on gender- and genre-specific needs and viewing motivations. Extending this line of research, the authors focus the role of the need for affect as a more general, gender- and genre-independent predictor of individual differences in the experience of emotions and meta-emotions (i.e., evaluative thoughts and feelings about one's emotions).The article discusses a field study of moviegoers who attended the regular screening of a drama or a horror film. Results support the assumption that individuals high in need for affect experience higher levels of negative and ambivalent emotions and evaluate their emotions more positively on the level of meta-emotions. Controlling for the Big Five personality factors does not alter these effects.The results are discussed within an extended meta-emotion framework.
机译:即使很可能会产生负面和矛盾的情绪,观众也会被戏剧和恐怖电影所吸引。对这种看似娱乐的娱乐的研究通常集中在针对性别和体裁的需求和观看动机上。扩展了这一研究范围,作者将情感需求的作用重点放在了情感和元情感体验(即,关于一个人的情感的评价性思想和感受)的个体差异的更一般,性别和体裁无关的预测因素上。 )。本文讨论了对参加定期放映戏剧或恐怖片的电影观众的现场研究。结果支持这样一个假设,即需要高影响力的个体会经历较高水平的负面和矛盾情绪,并在元情绪水平上更积极地评估其情绪。控制五种人格因素不会改变这些影响。在扩展的元情感框架内讨论了结果。

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