Whatever your view of Soviet polymath Alexander Rodchenko - and mine is that without his and his colleagues' work to plagiarise, art and architecture would have been significantly duller over the last 70 years - three London exhibitions of his work in the space of two years might seem excessive. This one is a little different. First of all, rather than the Hayward Gallery and Tate Modern, it is in a small commercial gallery, with deeply un-Bolshevik prices for photos, starting at ￡3,000 and climbing to ￡50,000, and secondly and more importantly, it's not really about Rodchenko.
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