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REFLECTIONS IN BLACK

机译:黑色反射

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A major exhibition offers an in-depth look at the history of black photographers, providing a context to reflect on the contributions these artists have made-amd continue to make-in determining how african americans visualize themselves. Charles guice reports. It is unlikely that many people would be familiar with the name Jules Lion. A free man of color, Lion established the first daguer-rean studio in New Orleans and, in doing so, became somewhat of a local celebrity. Alone, his accomplishments might have been of little interest. But the fact that he did this in the early spring of 1840, soon after the announcement of the daguerreotype process, is worthy of attention. Moreover, there is evidence that Lion may have emigrated from France with knowledge of the process. For historian Deborah Willis, Lion's achievements mark not only the beginning of photography in the U.S., but also the pioneering involvement of blacks in the medium. As a result, Lion is included in the landmark exhibition, Reflections in Black: Smithsonian African American Photography.
机译:一个大型展览提供了对黑人摄影师历史的深入了解,提供了一个背景来反思这些艺术家的所作所为-并将继续做出贡献,从而决定非洲裔美国人如何形象化自己。查尔斯·吉斯报道。许多人不太可能会熟悉Jules Lion这个名字。狮子是有色人种,他在新奥尔良建立了第一家daguer-rean工作室,并因此成为当地的名人。独自一人,他的成就可能没什么兴趣。但事实上,他在1840年早春宣布进行古怪定型过程后不久就这样做了,这一事实值得关注。此外,有证据表明,Lion可能在了解这一过程的情况下从法国移民。对于历史学家Deborah Willis而言,Lion的成就不仅标志着美国摄影的开始,而且标志着黑人在媒介中的开创性参与。因此,Lion被列入具有里程碑意义的展览“黑影倒影:史密森尼非裔美国人摄影”。

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