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RIC SAVID

机译:RIC SAVID

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摘要

Ric Savid's empathetic portraits of the Philippine people reflect the artist's effort to share his fascination with the residents of this Southeast Asian country in a way that transcends the usual parameters of documentary photography. While cognizant of the contrasts between Western and Oriental culture, Savid strives to balance artistry and humanistic intimacy with a broader examination of social issues. "I'm not the type of photographer who's on a mission to do things in a photojournalistic way," explains Savid, who first went to the Philippines as a Peace Corps volunteer in the mid-1970s and was assigned to the southern island of Mindanao. "Even though I like the contrast between American and Philippine culture, in the Philippines I'm more a finder of light and people than a searcher for conceptual scenes. When I take a picture, I feel like I'm photographing an emotion, one that I can feel inside."
机译:里克·萨维德(Ric Savid)对菲律宾人民的善解人意的肖像反映了这位艺术家与东南亚国家/地区居民分享他的魅力的方式,其超越纪录片摄影通常的方式。在意识到西方和东方文化之间的差异的同时,萨维德(Savid)力求在艺术性和人文主义的亲密感之间进行更广泛的社会问题研究。萨维德(Savid)解释说:“我不是那种以新闻摄影的方式去做事的摄影师,”萨维德(Savid)于1970年代中期以和平军团志愿者的身份首次赴菲律宾,并被分配到南部棉兰老岛。 “尽管我喜欢美国和菲律宾文化之间的对比,但在菲律宾,我更是光与人的发现者,而不是概念场景的搜寻者。当我拍照时,感觉就像是在拍摄一种情感,我能感觉到里面。”

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