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SUSAN BURNSTINE

机译:苏珊·伯恩斯坦

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摘要

Most photographers find inspiration in the physical world sourrounding them. Susan Burnstine initially found inspiration in her dreams-benign and otherwise. "As a child, I suffered from severe nightmares that frequently stayed with me for days," she says. "Often, I would see an image or symbol in my waking life but would not know if it was something real or from my dreams. Over the years, I've found that there can often be a very thin line between my dream life and my waking life." But despite having first picked up a camera at the early age of eight, Burnstine, who grew up in Chicago, only began exploring that thin line several years ago. Apprenticed to a successful portrait photographer at 1 4, she found herself disillusioned with the business side of the medium at 21, moved to Los Angeles, and spent years working in film and live entertainment before returning to photography in her mid-30s. She quickly re-established herself commercially while also re-connecting with her creative visual instincts, first with plastic toy cameras, then with homemade cameras and lenses constructed from discarded toys, household items, and the like.
机译:大多数摄影师在围绕它们的物理世界中找到灵感。苏珊·伯恩斯汀(Susan Burnstine)最初在她的良梦和其他梦想中找到了灵感。她说:“小时候,我经历了严重的噩梦,经常和我在一起待了好几天。” “通常,我会在醒着的生活中看到一个图像或符号,但不知道它是真实的还是来自梦想。多年来,我发现我的梦想生活与我的清醒生活。”但是,尽管伯恩斯汀(Burnstine)八岁时就首次拿起相机,但他在芝加哥长大,几年前才开始探索这条细线。 1月4日,她成为一名成功的肖像摄影师的徒弟,她在21岁时对媒介的商业前景感到失望,搬到洛杉矶,并从事电影和现场娱乐工作多年,然后在30年代中期回到摄影领域。她很快恢复了商业地位,同时又重新建立了自己的创意视觉本能,首先是用塑料玩具相机,然后是用自制的相机和由废弃玩具,家居用品等制成的镜头。

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