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AV GETS LOST IN MUSIC BY BEING SO LIVE

机译:AV通过如此生活迷失在音乐中

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摘要

What types of AV technology do companies use? What are the challenges of managing such large-scale productions? How might AV technologies, as well as how they are applied in music videos and live events, need to evolve and adapt in a post-Covid environment? And what innovations and trends can we expect in the coming years? One company with a wide range of experience in this area is Barcelona-based Hamili Industries, a creative studio partnership composed of directors, inventors and mixed-media artists that has provided AV effects for British DJ and electronic music producer, Floating Points' music videos and live shows amongst others. As Anna Diaz, founder and creative director at Hamill Industries, explains, she and her team develop visual experiences not onLy through images, but also through other elements such as light, smoke, or water, allowing them to 'expand perception and allow the audience to experience shows in a more tangible way.' "Our creations vary from visuals that react to live music and vice versa, to music videos and art installations. We also work for commercials -directing pieces, or even developing practical effects. I guess our passion is to develop visual concepts that enabLe us to mix analogic processes with digital developments, so we can merge technologies and inventions that enable us to transcend the screen and create audio visual spectacles that feel more tangible, more synesthetic," she says.
机译:公司使用哪种类型的AV技术?管理此类大规模制作的挑战是什么? AV技术如何,以及如何应用于音乐视频和现场活动,需要在后Covid环境中发展和适应?我们在未来几年期望的是什么创新和趋势?这一领域拥有广泛经验的一家公司是巴塞罗那汉利行业,这是由董事,发明家和混合媒体艺术家组成的创意工作室伙伴关系,为英国DJ和电子音乐制片人,浮点'音乐视频提供了AV效果和其他人之间的现场表演。作为安娜迪亚,哈米尔工业的创始人和创意总监,解释说,她和她的团队不仅通过图像开发视觉体验,而且还通过其他元素,如光,烟雾或水,让他们能够“扩大感知并允许观众以更有形的方式体验表演。 “我们的创作因现场音乐而反应的视觉效果而异,对音乐视频和艺术装置反应。我们还为商业广告 - 传输碎片,甚至发展实际效果。我猜我们的激情是开发使我们能够实现的可视概念与数字开发混合模拟流程,因此我们可以合并技术和发明,使我们能够超越屏幕并创建感觉更有形,更具统计学的音频视觉眼镜,“她说。

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  • 来源
    《AV Magazine》 |2021年第7期|44-48|共5页
  • 作者

    Andrew Williams;

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