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David Marr's The prince: faith, sex abuse and narrative authority in literary journalism

机译:大卫·马尔(David Marr)的《王子:文学新闻中的信仰,性虐待和叙事权威》

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摘要

David Marr has worked as a journalist across television, radio, print and online media. Although this impressive body of work is necessarily varied, Marr has said his recent work was governed by three underlying purposes: "Making sense of complex events, turning evidence into narrative, tracking power in Australia" (Eisenhuth & McDonald, 2007, p. 35). This article looks at one of the recurring themes in Marr's work: the role of religion in Australia. It examines the way Marr tracks the complex relationships of religious power by turning evidence into narrative, and the complex strategies that he employs to ensure narrative authority in a complex and controversial area. It focuses on The prince (2014), a biographical investigation of Cardinal George Pell and the Catholic Church's sexual abuse crisis. As both a broadcaster and an author, Marr's work is performative and investigative. The paper argues that this strong performative voice in Marr's work is a critical part of its success and an intrinsic part of the way he turns evidence into narrative, and provides a case study for the way narrative authority is exercised in literary journalism.
机译:David Marr曾在电视,广播,印刷和在线媒体担任记者。尽管这种令人印象深刻的工作一定是多种多样的,但马尔说他的最新工作受到三个基本目的的支配:“了解复杂事件,将证据转化为叙事,追踪澳大利亚的权力”(Eisenhuth&McDonald,2007,第35页) )。本文着眼于马尔作品中反复出现的主题之一:宗教在澳大利亚的作用。它研究了马尔通过将证据转化为叙事来追踪宗教权力的复杂关系的方式,以及他在复杂而有争议的领域中采用的确保叙事权威的复杂策略。它的重点是《王子》(2014年),这是对乔治·佩尔枢机主教和天主教会性虐待危机的传记研究。作为广播公司和作家,马尔的作品具有表演性和调查性。本文认为,马尔的这种强有力的表演声音是其成功的关键部分,也是他将证据转化为叙事的方式的内在部分,并为文学新闻业行使叙事权威的方式提供了案例研究。

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