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Navegando, Navegando: Easter Island Fusion and Cultural Performance

机译:纳韦甘多,纳韦甘多:复活节岛融合与文化表演

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This article examines the music of Rapanui singer-songwriter Mito Manutomatoma and his band Fusin Rapa Nui, and investigates the contribution that this music makes to the understanding of Rapanui cultural identity in the context of Chilean popular culture. Mito Manutomatoma has been particularly successful in promoting his music to Chilean audiences, and this has consequences for the way in which Rapanui music and performance culture is viewed in Chile. Mobilising a theoretical framework drawn from the discourse of cultural hybridity, the present article focuses particularly on influential songs from Mito Manutomatoma's 2003 recording Mito y Fusin Rapa Nui in order to explain the capacity for this music to foster intercultural communication and understanding between Chile and Rapanui.
机译:本文考察了拉帕努伊的歌手兼作曲家水户Manutomatoma和他的乐队Fusin Rapa Nui的音乐,并研究了这种音乐在智利流行文化背景下对理解拉帕努伊文化身份的贡献。 Mito Manutomatoma在向智利观众推广他的音乐方面特别成功,这对在智利观看拉帕努伊音乐和表演文化的方式产生了影响。为了调动从文化杂交的话语中获得的理论框架,本文特别关注Mito Manutomatoma 2003年的唱片《 Mito y Fusin Rapa Nui》中的有影响力的歌曲,以说明这种音乐促进智利和拉帕努伊之间的跨文化交流和理解的能力。

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