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Cultural Globalization and Arts Journalism: The International Orientation of Arts and Culture Coverage in Dutch, French, German, and U.S. Newspapers, 1955 to 2005

机译:文化全球化与艺术新闻学:1955年至2005年荷兰,法国,德国和美国报纸的艺术和文化报道的国际定位

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This article charts key developments and cross-national variations in the coverage of foreign culture (i.e., classical and popular music, dance, film, literature, theater, television, and visual arts) in Dutch, French, German, and U.S. elite newspapers between 1955 and 2005. Such coverage signals the awareness of foreign culture among national elites and the degree and direction of "globalization from within." Using content analysis, we examine the degree, direction, and diversity of the international orientation of arts journalism for each country and cultural genre. Results denote how international arts and culture coverage has increased in Europe but not in the United States. Moreover, the centrality of a country in the cultural "world-system" offers a better explanation for cross-national differences in international orientation than do other country-level characteristics, such as size and cultural policy framework. Recorded and performance-based genres differ markedly in their levels of internationalization, but the effect of other genre-level characteristics, such as language dependency and capital intensiveness, is not clear. In each country, international coverage remains concentrated on a few countries, of which the United States has become the most prominent. Although the global diversity of coverage has increased, non-Western countries are still underrepresented. [PUBLICATION ABSTRACT]
机译:本文以图表形式绘制了荷兰,法国,德国和美国的精英报纸之间外国文化报道(即古典和流行音乐,舞蹈,电影,文学,戏剧,电视和视觉艺术)报道的主要进展和跨国变化。 1955年和2005年。这种报道标志着各国精英对外国文化的意识以及“从内部进行全球化”的程度和方向。通过内容分析,我们研究了每个国家和文化流派的艺术新闻国际定位的程度,方向和多样性。结果表明,国际艺术和文化报道在欧洲增加了,但在美国却没有增加。此外,一个国家在文化“世界体系”中的中心地位比其他国家层面的特征(例如规模和文化政策框架)更好地解释了国际取向上的跨国差异。录制的和基于演奏的体裁的国际化水平明显不同,但是尚不清楚其他体裁水平的特征(如语言依赖和资本密集度)的影响。在每个国家,国际报道仍然集中在几个国家,其中美国已成为最主要的国家。尽管覆盖范围的全球多样性有所增加,但非西方国家的人数仍然不足。 [出版物摘要]

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    《American Sociological Review》 |2008年第5期|p.719-740|共22页
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    Susanne JanssenErasmus University RotterdamMarc VerboordErasmus University RotterdamGiselinde KuipersUniversity of AmsterdamDirect correspondence to Susanne Janssen, Erasmus University Rotterdam, FHK (Room L2- 16), PO Box 1738, 3000 DR Rotterdam, The Netherlands (s.janssen@fhk.eur.nl). Support for this article's research by the Netherlands Organization for Scientific Research (NWO, proj- ect 277-45-001) is gratefully acknowledged. We benefited from the opportunity to present portions of this work at the CAPCS-seminar of the Center for Arts and Cultural Policy Studies at Princeton University (March 2006), the panel on New Comparative Perspectives on Group Boundaries at the 2006 Conference of the Council for European Studies, the Sociology of Culture Sessions at the American Sociological Association Meetings in 2005 and 2006, and the annual meetings of the Sociology of the Arts Network of the European Sociological Association. We are grateful for the support and feedback we received at various stages of this research from, among others, Shyon Baumann, Denise Bielby, Diana Crane, Paul DiMaggio, Timothy Dowd, Wendy Griswold, Michèle Lamont, Elizabeth Long, Jan Marontate, John Mohr, Kees van Rees, Richard Peterson, Alain Quemin, Gisèle Sapiro, Ulrich Saxer, András Szántó, and Vera Zolberg. Last but not least, we are indebted to the ASR reviewers and editors for their insightful comments and helpful suggestions.Susanne Janssen is Professor of Sociology of Media and Culture in the Departments of Media and Arts and Culture Studies at Erasmus University Rotterdam. She has published widely on the agents and institutions involved in the production and mediation of culture, the social conditions of cultural production and consumption, media use, and the digitization of culture. She is the director and principal researcher of the VICI-project Cultural Classification Systems in Transition, a large-scale comparative research project on the internationalization and social valuation of culture since the 1950s.Giselinde Kuipers is Assistant Professor in the Department of Sociology at the University of Amsterdam. She has published on media, cultural globalization, and the sociology of humor. In 2006, she published Good Humor, Bad Taste: A Sociology of the Joke. Her current research is concerned mostly with the internationalization of culture in a comparative perspective.Marc Verboord is Assistant Professor in the Department of Media at Erasmus University Rotterdam. He has published on cultural consumption patterns, socialization, and media use. He is currently involved in a large-scale research project on the social valuation of cultural products in France, Germany, the Netherlands, and the United States since the 1950s.;

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