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Atelier Or

机译:工作室Or

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摘要

The outdoor landscape installation in Taitung Museum of Art, The Memory of 80's, is a linear corridor composed of three rows of form-resistant triangular-sectioned aluminum pillars in extrusion, with each and every one of the pillars skived in opposite directions on the two ends to stabilize its structural system and establish its mechanical relations. The installation is placed on the open grass area in front of the museum to create an end view along the axis of the space. The corridor is 42 meters in length, 8.1 meters in height and 2.1 meters in width. Not only does it convey a strong sense of transparency and floatation through the composition of these vertically erected pillars, the corridor also overlaps harmoniously with the surroundings through the quality of such visual penetration. Consequently, its existence divides the open field into different-sized courtyards so to echo with and reshape its enveloping context.The core idea of this artwork is to seek after a minimalized, abstract, and expressive spatial existence through such an articulation system of simple materials and tectonics of the local, as well as to explore the self-discipline and inner-order of the substantial relations within the fundamental geometry, structure, and tectonics through the dialectical experiment of the connections among the "nodes" of materiality.
机译:台东美术馆的室外景观装置是“ 80年代的记忆”,它是由三排挤压成型的三角形截面铝制立柱组成的线性走廊,每根立柱在两个方向上均沿相反方向刮削旨在稳定其结构系统并建立其机械关系。该装置放置在博物馆前面的开阔草地上,以沿空间轴创建端视图。走廊长42米,高8.1米,宽2.1米。通过这些垂直竖立的柱子的组合,不仅传达出强烈的透明度和漂浮感,而且走廊还通过这种视觉穿透的质量与周围环境和谐地重叠。因此,它的存在将开阔的场地划分为不同大小的庭院,以呼应并重塑其包围的环境。该艺术品的核心思想是通过这种简单的材料衔接系统寻求最小化,抽象和表现力的空间存在。通过局部性的“节点”之间的联系的辩证实验,探索基本几何学,结构和构造内部实质关系的自律和内部秩序。

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    《建築と都市》 |2018年第577期|174-175|共2页
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