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首页> 外文期刊>Architectural record >Steven Holl counters sprawl and pastiche with his LOISIUM, a tilting, aluminum-clad visitors' center that holds its own in Austrian wine country
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Steven Holl counters sprawl and pastiche with his LOISIUM, a tilting, aluminum-clad visitors' center that holds its own in Austrian wine country

机译:史蒂文·霍尔(Steven Holl)用自己的LOISIUM(可倾倒,铝制装饰的游客中心)在奥地利的葡萄酒之乡拥有自己的特色,以应对蔓延和泥潭。

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摘要

The small Austrian town of Langenlois nestles near the northwest end of the Wachau Valley- one of the world's only wine-growing regions officially classified as a Unesco World Heritage Site. No wonder: Its hilly landscape, dotted with castles and blanketed with vineyards, makes this countryside exceptionally beautiful, stretching from the Baroque monastery of Melk- the setting for Umberto Eco's The Name of the Rose- to the town of Krems along the gently winding Danube. In springtime, Langenlois's own Baroque buildings -stuccoed in powder blue, dusty rose, bright sienna, and pale green- stand amid a profusion of purple lilac bushes and century-old flowering chestnut trees, as if this were nothing out of the ordinary.
机译:奥地利小镇朗根卢瓦(Langenlois)坐落在瓦豪谷(Wachau Valley)西北端附近,瓦豪谷是世界上唯一被正式列为联合国教科文组织世界遗产的葡萄酒产区之一。难怪:它的丘陵景观点缀着城堡,到处都是葡萄园,使这个乡村格外美丽,从梅尔克的巴洛克修道院-翁贝托生态学的《玫瑰的名字》的背景-沿着蜿蜒曲折的多瑙河一直延伸到克雷姆斯镇。到了春天,兰根卢瓦(Langenlois)自己的巴洛克式建筑-粉蓝色,尘土飞扬的玫瑰,色和淡绿色的灰泥-座落在紫色的淡紫色灌木丛和百年开花的板栗树中,仿佛这与众不同。

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