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Interview with Journalist Frances Anderton

机译:采访记者Frances Anerton

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摘要

WHEN BRITISH design journalist Frances Anderton first visited Los Angeles in 1987 as a cub reporter for the Architectural Review, she found herself smack in the middle of the city's vibrant design scene. Her first assignments, part of a special issue on L.A., had her rubbing elbows with Frank Gehry and Thorn Mayne and scouting wild new buildings like an Eric Owen Moss-designed warehouse and a KFC franchise shaped like a gigantic chicken bucket. Anderton relocated to the city permanently in 1991 and became an editor at LA Architect, and later a producer for the influential radio programs Which Way, L.A. ? and To the Point for local NPR affiliate KCRW. Architects, however, are most likely to know Anderton for her beloved program DnA: Design and Architecture, which has made her something of design's Terry Gross. Since 2002, Anderton has chronicled the dramas that continue to shape the City of Angels, from the never-ending LACMA redesign saga to the transformation of the L.A. River, through the voices of guests ranging from Zaha Hadid to Ben Stiller. In September, the Los Angeles Times broke the news that 24 KCRW employees, including Anderton, would be taking buyouts due to the financial strain of Covid-19. The Twitter reaction was swift ("No it can't be true?!?!!!" lamented Barbara Bestor), though Anderton is quick to remind you that she'll be at the station through December 15. record caught up with the journalist at home in Santa Monica to reflect on her time as DnA's host.
机译:当英国设计记者Frances Anderton于1987年首次访问了洛杉矶,作为建筑评论的幼崽记者,她发现自己在城市的充满活力的设计场景中间。她的第一个作业是L.A的一部分特殊问题的一部分,让她用Frank Gehry和Thorn Mayne和Scouting野生新建筑物,如Eric Owen Moss设计的仓库和克菲特许经营般的鸡蛋桶。 Anderton于1991年永久重新安置到这座城市,并成为La Architect的编辑,后来是一个生产者的有影响力的无线电节目的生产者,L.A。?以及本地NPR联盟KCRW的点。然而,建筑师最有可能为她心爱的程序DNA提供和秘密:设计和建筑,这使她成为设计的特写毛重。自2002年以来,Anderton从未结束的Lacma Repesign Saga转为L.a. River,通过从Zaha Hadid到Ben Stert的声音来转换,从永无止境的Lacma Repesign Saga转换了剧中的戏剧。 9月,洛杉矶时代突破了这个消息,即24辆KCRW员工,包括Anderon,由于Covid-19的财务紧张,将收购买断。 Twitter反应迅速(“不,它不可能是真的?!?!!!”哀叹的芭芭拉BESTOR),尽管Anderton很快就会提醒你,她将在12月15日到达车站。记录赶上了记者在家里的圣母莫妮卡,以她的时间反思作为DNA的主人。

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