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摘要

When the Whitney Museum of American Art unveils its new downtown Manhattan home on May 1, it will mark the culmination of more than a decade's worth of work by the building's architect, Renzo Piano. Originally tapped to expand the Whitney's longtime Marcel Breuer-designed location on the Upper East Side, the Italian Pritzker Prize winner crafted an entirely new edifice after the institution opted to move to a prime plot overlooking the Hudson River at the south end of the popular High Line park. As visitors will discover, Piano's much-anticipated creation is a game changer for the museum, providing the large, adaptable interiors it had craved, with roughly twice the exhibition space of the Breuer building and more than 220,000 square feet in total. But the move also gives the Whitney a fresh identity, placing it in the fray of the city's buzziest neighborhood for 21st-century art and architecture.
机译:惠特尼美国艺术博物馆于5月1日揭幕其在曼哈顿市中心的新住宅时,将标志着该建筑的建筑师Renzo Piano进行了超过十年的工作,最终达到了顶点。意大利普利兹克奖得主最初是为了扩大惠特尼长期由Marcel Breuer设计的上东区的位置而设计的,后来该机构选择搬迁到俯瞰热门高地南端哈德逊河的主要地块,从而打造了全新的大厦线公园。正如游客会发现的那样,皮亚诺备受期待的作品是博物馆的游戏规则改变者,提供了它渴望的宽敞,适应性强的内部装饰,大约是布鲁尔大楼展览空间的两倍,总面积超过22万平方英尺。但是此举也使惠特尼有了新的身份,使之成为全市最热闹的21世纪艺术和建筑社区。

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