For Rem Koolhaas, urban expansion around the Pacific Rim is a call to arms for architectural masochists. It is the ultimate evidence that the circumstances which made the Vitruvian triad of commodity, firmness and delight so compelling for a couple of millennia have come to the end of their allotted life; that conventional architectural concerns are powerless. Faced with cities that multiply at a rate which would disgrace the pathology of a virulent superbug, architecture has to adopt different strategies to survive, and it is Koolhaas's Postmodern vision of fragmented dystopia that has encrusted itself most powerfully on the collective architectural retina.
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